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  <author id="816">
    <name>Barrie, J.M.</name>
    <birth>1860</birth>
    <death>1937</death>
    <language>en</language>
    <books>1</books>
    <downloads>38765</downloads>
    <biography>&lt;p&gt;Sir James Matthew Barrie, 1st Baronet OM (9 May 1860 &#8211; 19 June 1937), more commonly known as J. M. Barrie, was a Scottish novelist and dramatist. He is best remembered for creating Peter Pan, the boy who refused to grow up, whom he based on his friends, the Llewelyn Davies boys. He is also credited with popularising the name &quot;Wendy&quot;, which was very uncommon before he gave it to the heroine of Peter Pan. He was made a baronet in 1913; his baronetcy was not inherited. He was made a member of the Order of Merit in 1922.
&lt;br /&gt;Source: Wikipedia&lt;/p&gt;</biography>
  </author>
  <author id="585">
    <name>Z&#233;vaco, Michel</name>
    <birth>1860</birth>
    <death>1918</death>
    <language>fr</language>
    <books>17</books>
    <downloads>19195</downloads>
    <biography>&lt;p&gt;Z&#233;vaco s&#8217;installe &#224; Paris &#224; sa sortie de l&#8217;arm&#233;e, en 1888. Il devient journaliste, puis secr&#233;taire de r&#233;daction &#224; L&#8217;Egalit&#233; que dirige le socialiste r&#233;volutionnaire Jules Roques. Il se pr&#233;sente sans succ&#232;s aux &#233;lections l&#233;gislatives de 1889 pour la Ligue socialiste de Roques: il fait &#224; cette &#233;poque connaissance avec Louise Michel et croise &#233;galement Aristide Bruant et S&#233;verine. Il fera plusieurs s&#233;jours &#224; la prison Sainte-P&#233;lagie pour des articles libertaires, en pleine p&#233;riode d&#8217;attentats anarchistes.&lt;/p&gt;

&lt;p&gt;Il est condamn&#233; le 6 octobre 1892 par la cour d'assise de la Seine pour avoir d&#233;clar&#233; dans une r&#233;union publique &#224; Paris :&lt;/p&gt;

&lt;p&gt;    &#171; Les bourgeois nous tuent par la faim ; volons, tuons, dynamitons, tous les moyens sont bons pour nous d&#233;barrasser de cette pourriture &#187;&lt;/p&gt;

&lt;p&gt;Il abandonne le journalisme politique en 1900, apr&#232;s avoir tent&#233; de d&#233;fendre Alfred Dreyfus. En m&#234;me temps, son retour vers le roman feuilleton avec Borgia! en 1900, publi&#233; dans le journal de Jean Jaur&#232;s La Petite R&#233;publique socialiste est couronn&#233; de succ&#232;s. Z&#233;vaco &#233;crit plus de 1 400 feuilletons (dont, &#224; partir de 1903, les 262 de La Fausta, qui met en sc&#232;ne le chevalier de Pardaillan) pour le journal de Jaur&#232;s, jusqu&#8217;&#224; d&#233;cembre 1905, &#233;poque &#224; laquelle il passe au Matin, dont il devient le feuilletonniste attitr&#233; avec Gaston Leroux. Entre 1906 et 1918, Le Matin publie en feuilletons neuf romans de Z&#233;vaco. Avant et apr&#232;s sa mort paraissent dix volumes des aventures de Pardaillan p&#232;re et fils. La guerre se rapprochant de Pierrefonds, la famille Z&#233;vaco s&#8217;installe un peu plus &#224; l&#8217;abri &#224; Eaubonne (Val d&#8217;Oise) en 1917. Il meurt en ao&#251;t 1918, sans doute d&#8217;un cancer.&lt;/p&gt;

&lt;p&gt;Source: Wikipedia&lt;/p&gt;</biography>
  </author>
  <author id="137">
    <name>Chekhov, Anton Pavlovich</name>
    <birth>1860</birth>
    <death>1904</death>
    <language>ru</language>
    <books>4</books>
    <downloads>8242</downloads>
    <biography>&lt;p&gt;Anton Pavlovich Chekhov was a Russian short story writer and playwright. He was born in Taganrog, southern Russia, on 29 January [O.S. 17 January] 1860, and died of tuberculosis at the health spa of Badenweiler, Germany, on 15 July [O.S. 2 July] 1904. His brief playwriting career produced four classics, while his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: &quot;Medicine is my lawful wife,&quot; he once said, &quot;and literature is my mistress&quot;.&lt;/p&gt;

&lt;p&gt;Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Konstantin Stanislavsky's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov&#8217;s last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a &quot;theatre of mood&quot; and a &quot;submerged life in the text&quot;. Not everyone appreciated that challenge: Leo Tolstoy reportedly told Chekhov, &quot;You know, I cannot abide Shakespeare, but your plays are even worse&quot;.&lt;/p&gt;

&lt;p&gt;Tolstoy did, however, admire Chekhov's short stories. Chekhov had at first written stories only for the money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later exploited by Virginia Woolf and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.&lt;/p&gt;

&lt;p&gt;Source: Wikipedia&lt;/p&gt;</biography>
  </author>
  <author id="918">
    <name>Gilman, Charlotte Perkins</name>
    <birth>1860</birth>
    <death>1935</death>
    <language>en</language>
    <books>4</books>
    <downloads>6219</downloads>
    <biography>&lt;p&gt;Charlotte Perkins Gilman (July 3, 1860 &#8211; August 17, 1935) was a prominent American sociologist, novelist, writer of short stories, poetry, and non fiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story, &quot;The Yellow Wallpaper&quot;, which she wrote after a severe bout of post-partum depression.&lt;/p&gt;</biography>
  </author>
  <author id="928">
    <name>Tchekhov, Anton Pavlovitch</name>
    <birth>1860</birth>
    <death>1904</death>
    <language>ru</language>
    <books>3</books>
    <downloads>3503</downloads>
    <biography>&lt;p&gt;Anton Pavlovitch Tchekhov, n&#233; le 17/29 janvier 1860 &#224; Taganrog (Russie), mort le 2/15 juillet 1904 &#224; Badenweiler (Allemagne), est un nouvelliste et dramaturge russe, m&#233;decin de profession. Ami d&#8217;Ivan Bounine, Maxime Gorki, L&#233;on Tolsto&#239;, F&#233;dor Chaliapine, Souvorine, il est l&#8217;oncle de Mikha&#239;l Tchekhov, fils de son fr&#232;re Alexandre et de Natalia Golden, et disciple de Constantin Stanislavski.
&lt;br /&gt;Anton Pavlovitch Tchekhov est n&#233; le 29 janvier 1860 (calendrier gr&#233;gorien), &#224; Taganrog, au bord de la mer d'Azov, en Russie. Ses parents sont des petits commer&#231;ants. D&#8217;une religiosit&#233; excessive, son p&#232;re est un homme violent. Anton Tchekhov &#233;tudie la m&#233;decine &#224; l'universit&#233; de Moscou et commence &#224; exercer &#224; partir de 1884. Se sentant responsable de sa famille, venue s&#8217;installer &#224; Moscou apr&#232;s la faillite du p&#232;re, il cherche &#224; augmenter ses revenus en publiant des nouvelles dans divers journaux. Le succ&#232;s arrive assez vite. Il ressent tr&#232;s t&#244;t les premiers effets de la tuberculose, qui l&#8217;obligera &#224; de nombreux d&#233;placements au cours de sa vie pour tenter de trouver un climat qui lui convienne mieux que celui de Moscou.
&lt;br /&gt;Bien que r&#233;pugnant &#224; tout engagement politique, il sera toujours extr&#234;mement sensible &#224; la mis&#232;re d&#8217;autrui. En 1890, en d&#233;pit de sa maladie, il entreprend un s&#233;jour d'un an au bagne de Sakhaline afin de porter t&#233;moignage sur les conditions d&#8217;existence des bagnards. L'&#238;le de Sakhaline paraitra &#224; partir de 1893. Toute sa vie, il multipliera ainsi les actions de bienfaisance (construction d&#8217;&#233;coles, exercice gratuit de la m&#233;decine, etc.).
&lt;br /&gt;Ses nouvelles d&#8217;abord, son th&#233;&#226;tre ensuite, le font reconnaitre de son vivant comme une des gloires nationales russes, &#224; l&#8217;&#233;gal d&#8217;un Dostoievski ou d&#8217;un Tolsto&#239;.
&lt;br /&gt;Apr&#232;s avoir longtemps repouss&#233; toute perspective de mariage, il se d&#233;cide, en 1901, &#224; &#233;pouser Olga Leonardovna Knipper (1870-1959), actrice au Th&#233;&#226;tre d&#8217;art de Moscou.
&lt;br /&gt;Lors d&#8217;une ultime tentative de cure, Anton Tchekhov meurt le 2 juillet 1904 &#224; Badenweiler en Allemagne. Au m&#233;decin qui se pr&#233;cipite &#224; son chevet, il dit poliment en allemand : &#171; Ich sterbe &#187; (je meurs). Ayant refus&#233; de l&#8217;oxyg&#232;ne, on lui apporte&#8230; du champagne, et ses derniers mots seraient, d&#8217;apr&#232;s Virgil Tanase : &#171; Cela fait longtemps que je n&#8217;ai plus bu de champagne &#187;. Ayant bu, il se couche sur le c&#244;t&#233; et meurt. Le 9 juillet, il est enterr&#233; &#224; Moscou, au cimeti&#232;re de Novodevitchi.
&lt;/p&gt;</biography>
  </author>
  <author id="870">
    <name>Hocking, Joseph</name>
    <birth>1860</birth>
    <death>1937</death>
    <language>en</language>
    <books>1</books>
    <downloads>666</downloads>
  </author>
</browse>
