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  <book id="94">
    <dc:title>The Prince</dc:title>
    <dc:author id="36">Niccol&#242; Machiavelli</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/94</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553212788</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1513</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccol&#242; Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing &quot;Machiavellian&quot; into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.&lt;/p&gt;</dc:description>
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  <book id="174">
    <dc:title>Paradise Lost</dc:title>
    <dc:author id="82">John Milton</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/174</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0393924289</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1667</dc:date>
    <dc:subject>Poetry</dc:subject>
    <dc:subject>Religion</dc:subject>
    <dc:description>&lt;p&gt;Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 in ten books; a second edition followed in 1674, redivided into twelve books (in the manner of the division of Virgil's Aeneid) with minor revisions throughout and a note on the versification. The poem concerns the Judeo-Christian story of the Fall of Man; the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is &quot;justify the ways of God to men&quot; and elucidate the conflict between God's eternal foresight and free will.&lt;/p&gt;</dc:description>
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  <book id="168">
    <dc:title>The Art of War</dc:title>
    <dc:author id="59">Sun Tzu</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/168</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0762415983</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>-514</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:description>&lt;p&gt;The Art of War is a Chinese military treatise that was written during the 6th century BC by Sun Tzu. Composed of 13 chapters, each of which is devoted to one aspect of warfare, it has long been praised as the definitive work on military strategies and tactics of its time.
&lt;br /&gt;The Art of War is one of the oldest books on military strategy in the world. It is the first and one of the most successful works on strategy and has had a huge influence on Eastern and Western military thinking, business tactics, and beyond. Sun Tzu was the first to recognize the importance of positioning in strategy and that position is affected both by objective conditions in the physical environment and the subjective opinions of competitive actors in that environment. He taught that strategy was not planning in the sense of working through a to-do list, but rather that it requires quick and appropriate responses to changing conditions. Planning works in a controlled environment, but in a competitive environment,&lt;/p&gt;</dc:description>
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  <book id="711">
    <dc:title>The Antichrist</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/711</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1420925091</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1888</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Friedrich Nietzsche's &quot;The Antichrist&quot; might be more aptly named &quot;The Antichristian,&quot; for it is an unmitigated attack on Christianity that Nietzsche makes within the text instead of an exposition on evil or Satan as the title might suggest. In &quot;The Antichrist,&quot; Nietzsche presents a highly controversial view of Christianity as a damaging influence upon western civilization that must come to an end. Regardless of ones religious or philosophical point of view, &quot;The Antichrist&quot; makes for an engaging philosophical discourse.&lt;/p&gt;</dc:description>
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  <book id="210">
    <dc:title>An Inquiry into the Nature and Causes of the Wealth of Nations</dc:title>
    <dc:author id="104">Adam Smith</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/210</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679783369</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1776</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Science</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Adam Smith's masterpiece, first published in 1776, is the foundation of modern economic thought and remains the single most important account of the rise of, and the principles behind, modern capitalism. Written in clear and incisive prose, The Wealth of Nations articulates the concepts indispensable to an understanding of contemporary society.&lt;/p&gt;</dc:description>
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  </book>
  <book id="676">
    <dc:title>Beyond Good and Evil</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/676</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1604593210</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1886</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Beyond Good and Evil (German: Jenseits von Gut und B&#246;se), subtitled &quot;Prelude to a Philosophy of the Future&quot; (Vorspiel einer Philosophie der Zukunft), is a book by the German philosopher Friedrich Nietzsche, first published in 1886.
&lt;br /&gt;It takes up and expands on the ideas of his previous work, Thus Spoke Zarathustra, but approached from a more critical, polemical direction.
&lt;br /&gt;In Beyond Good and Evil, Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm &quot;beyond good and evil&quot; in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.&lt;/p&gt;</dc:description>
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  </book>
  <book id="172">
    <dc:title>Thus Spake Zarathustra</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/172</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1845882423</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1885</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Thus Spoke Zarathustra (German: Also sprach Zarathustra, sometimes translated Thus Spake Zarathustra), subtitled A Book for All and None (Ein Buch f&#252;r Alle und Keinen), is a written work by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the &quot;eternal recurrence of the same&quot;, the parable on the &quot;death of God&quot;, and the &quot;prophecy&quot; of the Overman, which were first introduced in The Gay Science.
&lt;br /&gt;Described by Nietzsche himself as &quot;the deepest ever written&quot;, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.&lt;/p&gt;</dc:description>
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  </book>
  <book id="206">
    <dc:title>The Divine Comedy</dc:title>
    <dc:author id="100">Dante Alighieri</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/206</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0451208633</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1306</dc:date>
    <dc:subject>Poetry</dc:subject>
    <dc:description>&lt;p&gt;Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation.&lt;/p&gt;</dc:description>
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  </book>
  <book id="1232">
    <dc:title>Ulysses</dc:title>
    <dc:author id="4">James Joyce</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/1232</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0141182806</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1922</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:description>&lt;p&gt;Ulysses is a novel by James Joyce, first serialized in parts in the American journal The Little Review from March 1918 to December 1920, then published in its entirety by Sylvia Beach on February 2, 1922, in Paris. It is considered one of the most important works of Modernist literature.
&lt;br /&gt;Ulysses chronicles the passage through Dublin by its main character, Leopold Bloom, during an ordinary day, June 16, 1904. The title alludes to the hero of Homer's Odyssey (Latinised into Ulysses), and there are many parallels, both implicit and explicit, between the two works (e.g., the correspondences between Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus).&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+50 or in the USA (published before 1923).</dc:rights>
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  </book>
  <book id="709">
    <dc:title>Candide</dc:title>
    <dc:author id="146">Voltaire</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/709</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553211668</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1759</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Candide, ou l'Optimisme (1759) is a French satire by the Enlightenment philosopher Voltaire, English translations of which have been titled Candide: Or, All for the Best (1759); Candide: Or, The Optimist (1762); and Candide: Or, Optimism (1947). The novella begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply optimism) by his tutor, Pangloss. The work describes the abrupt cessation of this existence, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not outright rejecting optimism, advocating an enigmatic precept, &quot;we must cultivate our garden&quot;, in lieu of the Leibnizian mantra of Pangloss, &quot;all is for the best in the best of all possible worlds&quot;.&lt;/p&gt;</dc:description>
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  <book id="215">
    <dc:title>Tao Te Ching</dc:title>
    <dc:author id="105">Laozi</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/215</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679724346</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>-600</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>Religion</dc:subject>
    <dc:description>&lt;p&gt;The Tao Te Ching is fundamental to the Taoist school of Chinese philosophy and strongly influenced other schools, such as Legalism and Neo-Confucianism. This ancient book is also central in Chinese religion, not only for Taoism  but Chinese Buddhism, which when first introduced into China was largely interpreted through the use of Taoist words and concepts. Many Chinese artists, including poets, painters, calligraphers, and even gardeners have used the Tao Te Ching as a source of inspiration. Its influence has also spread widely outside East Asia, aided by hundreds of translations into Western languages.&lt;/p&gt;</dc:description>
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  <book id="204">
    <dc:title>The Art of War</dc:title>
    <dc:author id="36">Niccol&#242; Machiavelli</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/204</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0226500462</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1521</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:description>&lt;p&gt;The Art of War (Dell'arte della guerra), is one of the lesser-read works of Florentine statesman and political philosopher Niccol&#242; Machiavelli.
&lt;br /&gt;The format of 'The Art of War' was in socratic dialogue. The purpose, declared by Fabrizio (Machiavelli's persona) at the outset, &quot;To honor and reward virt&#249;, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good.&quot; To these ends, Machiavelli notes in his preface, the military is like the roof of a palazzo protecting the contents.
&lt;br /&gt;Written between 1519 and 1520 and published the following year, it was the only historical or political work printed during Machiavelli's lifetime, though he was appointed official historian of Florence in 1520 and entrusted with minor civil duties.&lt;/p&gt;</dc:description>
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  </book>
  <book id="991">
    <dc:title>The Book of Tea</dc:title>
    <dc:author id="196">Kakuzo Okakura</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/991</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1933330171</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1906</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;The Book of Tea was written by Okakura Kakuzo in the early 20th century. It was first published in 1906, and has since been republished many times.
&lt;br /&gt;In the book, Kakuzo introduces the term Teaism and how Tea has affected nearly every aspect of Japanese culture, thought, and life. The book is accessibile to Western audiences because Kakuzo was taught at a young age to speak English; and spoke it all his life, becoming proficient at communicating his thoughts to the Western Mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of Tea and Japanese life. The book emphasises how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyu and his contribution to the Japanese Tea Ceremony.
&lt;br /&gt;According to Tomonobu Imamichi, Heidegger's concept of Dasein in Sein und Zeit was inspired &#8212; although Heidegger remains silent on this &#8212; by Okakura Kakuzo's concept of das-in-dem-Welt-sein (to be in the being of the world) expressed in The Book of Tea to describe Zhuangzi's philosophy, which Imamichi's teacher had offerred to Heidegger in 1919, after having followed lessons with him the year before.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  <book id="159">
    <dc:title>Gulliver's Travels</dc:title>
    <dc:author id="53">Jonathan Swift</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/159</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0451527321</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1726</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Humor/Satire</dc:subject>
    <dc:description>&lt;p&gt;Gulliver's Travels (1726, amended 1735), officially Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships, is a novel by Jonathan Swift that is both a satire on human nature and a parody of the &quot;travellers' tales&quot; literary sub-genre. It is Swift's best known full-length work, and a classic of English literature.
&lt;/p&gt;</dc:description>
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  <book id="187">
    <dc:title>Grimm's Fairy Tales</dc:title>
    <dc:author id="89">Jacob Ludwig Karl Grimm</dc:author>
    <dc:author id="90">Wilhem Karl Grimm</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/187</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0517229250</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1812</dc:date>
    <dc:subject>Young Readers</dc:subject>
    <dc:subject>Collections</dc:subject>
    <dc:description>&lt;p&gt;Children's and Household Tales (German: Kinder- und Hausm&#228;rchen) is a collection of German origin fairy tales first published in 1812 by Jacob and Wilhelm Grimm, the Brothers Grimm. The collection is commonly known today as Grimms' Fairy Tales (German: Grimms M&#228;rchen).&lt;/p&gt;</dc:description>
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  <book id="83">
    <dc:title>War and Peace</dc:title>
    <dc:author id="28">Lev Nikolayevich Tolstoy</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/83</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:067003469X</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1869</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>History</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:description>&lt;p&gt;War and Peace is a novel by Leo Tolstoy, first published from 1865 to 1869 in Russkii Vestnik, which tells the story of Russian society during the Napoleonic Era. It is usually described as one of Tolstoy's two major masterpieces (the other being Anna Karenina) as well as one of the world's greatest novels.
&lt;br /&gt;War and Peace offered a new kind of fiction, with a great many characters caught up in a plot that covered nothing less than the grand subjects indicated by the title, combined with the equally large topics of youth, marriage, age, and death. Though it is often called a novel today, it broke so many conventions of the form that it was not considered a novel in its time. Indeed, Tolstoy himself considered Anna Karenina (1878) to be his first attempt at a novel in the European sense.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  <book id="176">
    <dc:title>Dream Psychology</dc:title>
    <dc:author id="83">Sigmund Freud</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/176</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0380010003</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1920</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Psychology</dc:subject>
    <dc:description>&lt;p&gt;The Interpretation of Dreams is a book by Sigmund Freud. The first edition was first published in German in November 1899 as Die Traumdeutung (though post-dated as 1900 by the publisher). The publication inaugurated the theory of Freudian dream analysis, which activity Freud famously described as &quot;the royal road to the understanding of unconscious mental processes&quot;.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  <book id="54">
    <dc:title>Moby-Dick</dc:title>
    <dc:author id="20">Herman Melville</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/54</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553213113</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1851</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Adventure</dc:subject>
    <dc:description>&lt;p&gt;Moby-Dick is an 1851 novel by Herman Melville. The story tells the adventures of the wandering sailor Ishmael and his voyage on the whaling ship Pequod, commanded by Captain Ahab. Ishmael soon learns that Ahab seeks one specific whale, Moby-Dick, a white whale of tremendous size and ferocity. Comparatively few whaling ships know of Moby-Dick, and fewer yet have encountered him. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg. Ahab intends to exact revenge.&lt;/p&gt;</dc:description>
    <cover>http://www.feedbooks.com/book/54.png</cover>
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      <epub>http://www.feedbooks.com/book/54.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/54.mobi</mobipocket>
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  </book>
  <book id="6">
    <dc:title>The Picture of Dorian Gray</dc:title>
    <dc:author id="5">Oscar Wilde</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/6</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0375751513</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1891</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:description>&lt;p&gt;Oscar Wilde's story of a fashionable young man who sells his soul for eternal youth and beauty is one of his most popular works. Written in Wilde's characteristically dazzling manner, full of stinging epigrams and shrewd observations, the tale of Dorian Gray's moral disintegration caused something of a scandal when it first appeared in 1890. Wilde was attacked for his decadence and corrupting influence, and a few years later the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde's homosexual liaisons, trials that resulted in his imprisonment. Of the book's value as autobiography, Wilde noted in a letter, &quot;Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be--in other ages, perhaps.&quot;&lt;/p&gt;</dc:description>
    <cover>http://www.feedbooks.com/book/6.png</cover>
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  </book>
  <book id="678">
    <dc:title>Apology</dc:title>
    <dc:author id="144">Plato</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/678</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0865163480</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>-400</dc:date>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;(The) Apology (of Socrates) is Plato's version of the speech given by Socrates as he defends himself against the charges of being a man &quot;who corrupted the young, did not believe in the gods, and created new deities&quot;. &quot;Apology&quot; here has its earlier meaning (now usually expressed by the word &quot;apologia&quot;) of speaking in defense of a cause or of one's beliefs or actions (from the Greek &#945;&#960;&#959;&#955;&#959;&#947;&#943;&#945;).&lt;/p&gt;</dc:description>
    <cover>http://www.feedbooks.com/book/678.png</cover>
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  </book>
</similar>
