Artificial Hells: Participatory Art and the Politics of Spectatorship

Artificial Hells: Participatory Art and the Politics of Spectatorship

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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.

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Book Details  


Publisher: Verso (July 17, 2012)

Format: EPUB

Page count: 304 pages

File size: 18.7 MB

Protection: DRM

Language: English


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