Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian

Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian

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Comparing the Kantian sublime and Nietzschean Dionysian, Erman Kaplama introduces two new principles to philosophy of art: transition and motion. Drawing on the Heraclitean logos and phusis, he explores the notion of transition (Übergang) in Kant’s Opus Postumum and revises the idea of nature as the principle of motion (phusis).


Book Details  


Publisher: UPA (December 12, 2013)

Format: EPUB

Page count: 222 pages

Protection: DRM

Language: English


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