After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934

After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934

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Many believe Max Steiner’s score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry’s early sound era (1926–1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood’s initial development, recasting the history of film sound and its relationship… (more)