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  <dc:identifier>http://www.feedbooks.com/list/538</dc:identifier>
  <dc:description>&lt;p&gt;A list of possible downloads&lt;/p&gt;</dc:description>
  <book id="3563">
    <dc:title>The Right People</dc:title>
    <dc:author id="899">Adam Rakunas</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3563</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2008</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:description>&lt;p&gt;Imagine what high school would have been like if dealing drugs had been legal when licensed, mobile social networking had been ubiquitous and the in-crowd had more leverage than most political parties&#8230; what would the smart-but-slightly-crazy outcasts end up doing?&lt;/p&gt;

&lt;p&gt;In Adam Rakunas&#8217;s novella &#8220;The Right People&#8221;, they&#8217;re in the lucrative but precarious position of selling clandestine bootleg sex toys to the overachievers, but the rug is about to be pulled out from under their operation&#8230;&lt;/p&gt;

&lt;p&gt;It&#8217;s simultaneously a slice of full-bore gonzo science fiction blended with a Brat Pack movie, and a timely metaphor for the present presidential tussle, and Futurismic is very proud to present &#8220;The Right People&#8221; as Adam&#8217;s first fiction sale - in fact, I think we&#8217;re lucky to have found him first!&lt;/p&gt;

&lt;p&gt;Do be warned, though - this one&#8217;s definitely not for the very young or the easily offended!&lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
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      <pdf>http://www.feedbooks.com/book/3563.pdf</pdf>
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  </book>
  <book id="342">
    <dc:title>The Awakening &amp; Other Short Stories</dc:title>
    <dc:author id="119">Kate Chopin</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/342</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679783334</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1899</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:description>&lt;p&gt;The Awakening shocked turn-of-the-century readers with its forthright treatment of sex and suicide. Departing from literary convention, Kate Chopin failed to condemn her heroine's desire for an affair with the son of a Louisiana resort owner, whom she meets on vacation. The power of sensuality, the delusion of ecstatic love, and the solitude that accompanies the trappings of middle- and upper-class life are the themes of this now-classic novel. As Kaye Gibbons points out in her Introduction, Chopin &quot;was writing American realism before most Americans could bear to hear that they were living it.&quot;&lt;/p&gt;</dc:description>
    <cover>http://www.feedbooks.com/book/342.png</cover>
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      <pdf>http://www.feedbooks.com/book/342.pdf</pdf>
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  </book>
  <book id="3117">
    <dc:title>The Little Lady of the Big House</dc:title>
    <dc:author id="34">Jack London</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3117</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0554076411</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1916</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Romance</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:description>&lt;p&gt;A triangle romance provides the basis for a questioning of the meaning of masculinity, as well as an examination of agribusiness in California.
&lt;br /&gt;Jack London said of this novel: &quot;It is all sex from start to finish -- in which no sexual adventure is actually achieved or comes within a million miles of being achieved, and in which, nevertheless, is all the guts of sex, coupled with strength.&quot;
&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
    <cover>http://www.feedbooks.com/book/3117.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/3117.pdf</pdf>
      <epub>http://www.feedbooks.com/book/3117.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/3117.mobi</mobipocket>
    </files>
  </book>
  <book id="976">
    <dc:title>Blindsight</dc:title>
    <dc:author id="193">Peter Watts</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/976</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0765312182</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2006</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:description>&lt;p&gt;Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown. &lt;/p&gt;

&lt;p&gt;Two months of silence, while a world holds its breath.&lt;/p&gt;

&lt;p&gt;Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.&lt;/p&gt;

&lt;p&gt;So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet?&lt;/p&gt;

&lt;p&gt;You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and the fainter one she'll do any good if she is. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist&#8212;an informational topologist with half his mind gone&#8212;as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.&lt;/p&gt;

&lt;p&gt;You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find.&lt;/p&gt;

&lt;p&gt;But you'd give anything for that to be true, if you only knew what was waiting for them...&lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
    <cover>http://www.feedbooks.com/book/976.png</cover>
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      <pdf>http://www.feedbooks.com/book/976.pdf</pdf>
      <epub>http://www.feedbooks.com/book/976.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/976.mobi</mobipocket>
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  </book>
  <book id="973">
    <dc:title>Behemoth</dc:title>
    <dc:author id="193">Peter Watts</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/973</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0765307219</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2007</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:description>&lt;p&gt;Lenie Clarke-rifter, avenger, amphibious deep-sea cyborg-has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed-an ancient, apocalyptic microbe called &#223;ehemoth- has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke's name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle.&lt;/p&gt;

&lt;p&gt;But she has learned something in the meantime: she destroyed the world for a fallacy.&lt;/p&gt;

&lt;p&gt;Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial &quot;corpses&quot; who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made.&lt;/p&gt;

&lt;p&gt;Redemption doesn't come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds. . . .&lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
    <cover>http://www.feedbooks.com/book/973.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/973.pdf</pdf>
      <epub>http://www.feedbooks.com/book/973.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/973.mobi</mobipocket>
    </files>
  </book>
  <book id="975">
    <dc:title>Maelstrom</dc:title>
    <dc:author id="193">Peter Watts</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/975</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0312878060</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2001</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:description>&lt;p&gt;An enormous tidal wave on the west coast of North America has just killed thousands. Lenie Clarke, in a black wetsuit, walks out of the ocean onto a Pacific Northwest beach filled with the oppressed and drugged homeless of the Asian world who have gotten only this far in their attempt to reach America. Is she a monster, or a goddess? One thing is for sure: all hell is breaking loose.&lt;/p&gt;

&lt;p&gt;This dark, fast-paced, hard SF novel returns to the story begun in Starfish: all human life is threatened by a disease (actually a primeval form of life) from the distant prehuman past. It survived only in the deep ocean rift where Clarke and her companions were stationed before the corporation that employed them tried to sterilize the threat with a secret underwater nuclear strike. But Clarke was far enough away that she was able to survive and tough enough to walk home, 300 miles across the ocean floor. She arrives carrying with her the potential death of the human race, and possessed by a desire for revenge. Maelstrom is a terrifying explosion of cyberpunk noir by a writer whose narrative, says Robert Sheckley, &quot;drives like a futuristic locomotive.&quot; &lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
    <cover>http://www.feedbooks.com/book/975.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/975.pdf</pdf>
      <epub>http://www.feedbooks.com/book/975.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/975.mobi</mobipocket>
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  </book>
  <book id="67">
    <dc:title>The Lost World</dc:title>
    <dc:author id="1">Arthur Conan Doyle</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/67</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0812564839</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1912</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Adventure</dc:subject>
    <dc:description>&lt;p&gt;The Lost World is a novel released in 1912 by Arthur Conan Doyle concerning an expedition to a plateau in South America where prehistoric animals (dinosaurs and other extinct creatures) still survive. The character of Professor Challenger was introduced in this book. Interestingly, for a seminal work of dinosaur-related fiction, the animals only occupy a small portion of the narrative. Much more time is devoted to a war between early human hominids and a vicious tribe of ape-like creatures.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
    <cover>http://www.feedbooks.com/book/67.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/67.pdf</pdf>
      <epub>http://www.feedbooks.com/book/67.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/67.mobi</mobipocket>
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  </book>
  <book id="80">
    <dc:title>A Princess of Mars</dc:title>
    <dc:author id="23">Edgar Rice Burroughs</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/80</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0345331389</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1912</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:description>&lt;p&gt;A Princess of Mars is an Edgar Rice Burroughs science fiction novel, the first of his famous Barsoom series. It is also Burroughs' first novel, predating his Tarzan stories. He wrote it between July and September 28, 1911, going through four working titles; initially, he was going to call it My First Adventure on Mars, then The Green Martians, Dejah Thoris, Martian Princess, and finally Under the Moons of Mars.
&lt;br /&gt;The finished story was first published under the last of these titles in All-Story as a six-part serial in the issues for February-July 1912. For the serial publication, the author's name was given as &quot;Norman Bean&quot;; Burroughs had chosen the pseudonym of &quot;Normal Bean&quot; as a type of pun stressing that he was in his right mind, being concerned he might suffer ridicule for writing such a fantastic story. The effect was spoiled when a typesetter changed &quot;Normal&quot; to &quot;Norman&quot; on the assumption that the former was a typographical error. The story was later published as a complete novel under the present title by A. C. McClurg in October 1917.
&lt;br /&gt;Full of swordplay and daring feats, the story is considered a classic example of 20th century pulp fiction.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+50 or in the USA (published before 1923).</dc:rights>
    <cover>http://www.feedbooks.com/book/80.png</cover>
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  </book>
  <userbook id="1900">
    <dc:title>Fall Love</dc:title>
    <dc:author id="17002">Anne Whitehouse</dc:author>
    <dc:identifier>http://www.feedbooks.com/userbook/1900</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2008</dc:date>
    <dc:description>Fall Love tells the intertwined stories of four twenties-something artists and professionals adrift in the bad old pre-AIDS New York of 1980. From a summer of love through an autumn of deceit and regret, we follow the lives of Althea, Jeanne, Paul, and Bryce from self-sacrifice to self-knowledge. </dc:description>
    <dc:subject>fiction</dc:subject>
    <dc:subject>roman</dc:subject>
    <dc:subject>love</dc:subject>
    <dc:subject>absurd comedy</dc:subject>
    <dc:subject>Amor</dc:subject>
    <dc:subject>romantic triangle</dc:subject>
    <dc:subject>literature</dc:subject>
    <dc:subject>literary fiction</dc:subject>
    <dc:subject>art and artists</dc:subject>
    <dc:subject>art/teaching artists in love</dc:subject>
    <dc:subject>gay novel</dc:subject>
    <dc:subject>bisexual novel</dc:subject>
    <cover>http://www.feedbooks.com/userbook/1900.png</cover>
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</list>
