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  <book id="209">
    <dc:title>Manifesto of the Communist Party</dc:title>
    <dc:author id="102">Karl Marx</dc:author>
    <dc:author id="103">Friedrich Engels</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/209</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0192834371</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1848</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), often referred to as The Communist Manifesto, was first published on February 21, 1848, and is one of the world's most influential political manuscripts. Commissioned by the Communist League and written by communist theorists Karl Marx and Friedrich Engels, it laid out the League's purposes and program. The Manifesto suggested a course of action for a proletarian (working class) revolution to overthrow the bourgeois social order and to eventually bring about a classless and stateless society, and the abolition of private property.&lt;/p&gt;</dc:description>
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  <book id="83">
    <dc:title>War and Peace</dc:title>
    <dc:author id="28">Lev Nikolayevich Tolstoy</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/83</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:067003469X</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1869</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>History</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:description>&lt;p&gt;War and Peace is a novel by Leo Tolstoy, first published from 1865 to 1869 in Russkii Vestnik, which tells the story of Russian society during the Napoleonic Era. It is usually described as one of Tolstoy's two major masterpieces (the other being Anna Karenina) as well as one of the world's greatest novels.
&lt;br /&gt;War and Peace offered a new kind of fiction, with a great many characters caught up in a plot that covered nothing less than the grand subjects indicated by the title, combined with the equally large topics of youth, marriage, age, and death. Though it is often called a novel today, it broke so many conventions of the form that it was not considered a novel in its time. Indeed, Tolstoy himself considered Anna Karenina (1878) to be his first attempt at a novel in the European sense.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  <book id="681">
    <dc:title>Crito</dc:title>
    <dc:author id="144">Plato</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/681</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0674990404</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>-400</dc:date>
    <dc:subject>Philosophy</dc:subject>
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  <book id="94">
    <dc:title>The Prince</dc:title>
    <dc:author id="36">Niccol&#242; Machiavelli</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/94</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553212788</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1513</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccol&#242; Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing &quot;Machiavellian&quot; into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.&lt;/p&gt;</dc:description>
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  <book id="711">
    <dc:title>The Antichrist</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/711</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1420925091</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1888</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Friedrich Nietzsche's &quot;The Antichrist&quot; might be more aptly named &quot;The Antichristian,&quot; for it is an unmitigated attack on Christianity that Nietzsche makes within the text instead of an exposition on evil or Satan as the title might suggest. In &quot;The Antichrist,&quot; Nietzsche presents a highly controversial view of Christianity as a damaging influence upon western civilization that must come to an end. Regardless of ones religious or philosophical point of view, &quot;The Antichrist&quot; makes for an engaging philosophical discourse.&lt;/p&gt;</dc:description>
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  <book id="172">
    <dc:title>Thus Spake Zarathustra</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/172</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1845882423</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1885</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Thus Spoke Zarathustra (German: Also sprach Zarathustra, sometimes translated Thus Spake Zarathustra), subtitled A Book for All and None (Ein Buch f&#252;r Alle und Keinen), is a written work by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the &quot;eternal recurrence of the same&quot;, the parable on the &quot;death of God&quot;, and the &quot;prophecy&quot; of the Overman, which were first introduced in The Gay Science.
&lt;br /&gt;Described by Nietzsche himself as &quot;the deepest ever written&quot;, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.&lt;/p&gt;</dc:description>
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  <book id="206">
    <dc:title>The Divine Comedy</dc:title>
    <dc:author id="100">Dante Alighieri</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/206</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0451208633</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1306</dc:date>
    <dc:subject>Poetry</dc:subject>
    <dc:description>&lt;p&gt;Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation.&lt;/p&gt;</dc:description>
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  <book id="676">
    <dc:title>Beyond Good and Evil</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/676</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1604593210</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1886</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Beyond Good and Evil (German: Jenseits von Gut und B&#246;se), subtitled &quot;Prelude to a Philosophy of the Future&quot; (Vorspiel einer Philosophie der Zukunft), is a book by the German philosopher Friedrich Nietzsche, first published in 1886.
&lt;br /&gt;It takes up and expands on the ideas of his previous work, Thus Spoke Zarathustra, but approached from a more critical, polemical direction.
&lt;br /&gt;In Beyond Good and Evil, Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm &quot;beyond good and evil&quot; in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.&lt;/p&gt;</dc:description>
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  <book id="219">
    <dc:title>On the Duty of Civil Disobedience</dc:title>
    <dc:author id="106">Henry David Thoreau</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/219</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1604244291</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1849</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Essay</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Thoreau wrote his famous essay, On the Duty of Civil Disobedience, as a protest against an unjust but popular war and the immoral but popular institution of slave-owning. &lt;/p&gt;</dc:description>
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  <book id="367">
    <dc:title>The Idiot</dc:title>
    <dc:author id="2">Fyodor Mikhailovich Dostoyevsky</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/367</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679642420</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1868</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Romance</dc:subject>
    <dc:description>&lt;p&gt;Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women&#8212;the notorious kept woman Nastasya and the pure Aglaia&#8212;both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin&#8217;s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.&lt;/p&gt;</dc:description>
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  <book id="38">
    <dc:title>Crime and Punishment</dc:title>
    <dc:author id="2">Fyodor Mikhailovich Dostoyevsky</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/38</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679420290</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1866</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Psychology</dc:subject>
    <dc:description>&lt;p&gt;The poverty-stricken Raskolnikov, believing he is exempt from moral law, murders a man only to face the consequences not only from society but from his conscience, in this seminal story of justice, morality, and redemption from one of Russia's greatest novelists.&lt;/p&gt;</dc:description>
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  <book id="8">
    <dc:title>The Metamorphosis</dc:title>
    <dc:author id="6">Franz Kafka</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/8</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553213695</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1912</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:description>&lt;p&gt;The Metamorphosis (German: Die Verwandlung) is a novella by Franz Kafka, first published in 1915. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed into a &quot;monstrous vermin&quot;.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  <book id="678">
    <dc:title>Apology</dc:title>
    <dc:author id="144">Plato</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/678</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0865163480</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>-400</dc:date>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;(The) Apology (of Socrates) is Plato's version of the speech given by Socrates as he defends himself against the charges of being a man &quot;who corrupted the young, did not believe in the gods, and created new deities&quot;. &quot;Apology&quot; here has its earlier meaning (now usually expressed by the word &quot;apologia&quot;) of speaking in defense of a cause or of one's beliefs or actions (from the Greek &#945;&#960;&#959;&#955;&#959;&#947;&#943;&#945;).&lt;/p&gt;</dc:description>
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  <book id="3374">
    <dc:title>Siddhartha</dc:title>
    <dc:author id="692">Hermann Hesse</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3374</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553208845</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1922</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>Religion</dc:subject>
    <dc:description>&lt;p&gt;Siddhartha is an allegorical novel by Hermann Hesse which deals with the spiritual journey of an Indian boy called Siddhartha during the time of the Buddha.
&lt;br /&gt;The book, Hesse's ninth novel, was written in German, in a simple, yet powerful and lyrical, style. It was first published in 1922, after Hesse had spent some time in India in the 1910s. It was published in the U.S. in 1951 and became influential during the 1960s.
&lt;br /&gt;The word Siddhartha is made up of two words in the Sanskrit language, siddha (gotten) + artha (meaning or wealth). The two words together mean &quot;one who has found meaning (of existence)&quot; or &quot;he who has attained his goals&quot;. The Buddha's name, before his renunciation, was Prince Siddhartha Gautama, later the Buddha. In this book, the Buddha is referred to as &quot;Gotama&quot;.
&lt;br /&gt;Source: Wikipedia&lt;/p&gt;</dc:description>
    <dc:rights>This work was published before 1923 and is in the public domain in the USA only.</dc:rights>
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  <book id="2042">
    <dc:title>Madame Bovary</dc:title>
    <dc:author id="127">Gustave Flaubert</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/2042</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0192840398</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1857</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Romance</dc:subject>
    <dc:description>&lt;p&gt;Madame Bovary scandalized its readers when it was first published in 1857. And the story itself remains as fresh today as when it was first written, a work that remains unsurpassed in its unveiling of character and society. It tells the tragic story of the romantic but empty-headed Emma Rouault. When Emma marries Charles Bovary, she imagines she will pass into the life of luxury and passion that she reads about in sentimental novels and women's magazines. But Charles is an ordinary country doctor, and provincial life is very different from the romantic excitement for which she yearns. In her quest to realize her dreams she takes a lover, Rodolphe, and begins a devastating spiral into deceit and despair. And Flaubert captures every step of this catastrophe with sharp-eyed detail and a wonderfully subtle understanding of human emotions. &lt;/p&gt;</dc:description>
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  <book id="361">
    <dc:title>Notes From The Underground</dc:title>
    <dc:author id="2">Fyodor Mikhailovich Dostoyevsky</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/361</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0199536384</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1864</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:description>&lt;p&gt;Notes from Underground (Russian: &#1047;&#1072;&#1087;&#1080;&#1089;&#1082;&#1080; &#1080;&#1079; &#1087;&#1086;&#1076;&#1087;&#1086;&#1083;&#1100;&#1103;, Zap&#237;ski iz podp&#243;l'ja, also translated in English as Notes from the Underground or Letters from the Underworld while Notes from Underground is the most literal translation) (1864) is a short novel by Fyodor Dostoevsky. It is considered by many to be the world's first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg.&lt;/p&gt;</dc:description>
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  <book id="9">
    <dc:title>The Trial</dc:title>
    <dc:author id="6">Franz Kafka</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/9</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0805210407</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1925</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:subject>Fantasy</dc:subject>
    <dc:description>&lt;p&gt;The Trial (German: Der Process) is a novel by Franz Kafka about a character named Josef K., who awakens one morning and, for reasons never revealed, is arrested and prosecuted for an unspecified crime.
&lt;br /&gt;According to Kafka's friend Max Brod, the author never finished the novel and wrote in his will that it was to be destroyed. After his death, Brod went against Kafka's wishes and edited The Trial into what he felt was a coherent novel and had it published in 1925.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70.</dc:rights>
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  <book id="3706">
    <dc:title>Essays in the Art of Writing</dc:title>
    <dc:author id="37">Robert Louis Stevenson</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3706</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1443740500</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1905</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Essay</dc:subject>
    <dc:subject>Collections</dc:subject>
    <dc:description>&lt;p&gt;A collection of essays about writing: &quot;On some technical elements of style in literature&quot;, &quot;The morality of the profession of letters&quot;,  &quot;Books which have influenced me&quot;, &quot;A note on realism&quot;, &quot;My first book: &#8216;Treasure Island&#8217;&quot;, &quot;The genesis of &#8216;the master of Ballantrae&#8217;&quot; &amp; &quot;Preface to &#8216;the master of Ballantrae&#8217;&quot;.&lt;/p&gt;</dc:description>
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  <book id="3697">
    <dc:title>The Elements of Style</dc:title>
    <dc:author id="961">William Strunk Jr.</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3697</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:9562916464</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1918</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:description>&lt;p&gt;The Elements of Style (also known as Strunk &amp; White) is an American English writing style guide. It is one of the most influential and best-known prescriptive treatments of English grammar and usage in the United States. It originally detailed eight elementary rules of usage, ten elementary principles of composition, and &quot;a few matters of form&quot; as well as a list of commonly misused words and expressions. Updated editions of the paperback book are often required reading for American high school and college composition classes.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+50 or in the USA (published before 1923).</dc:rights>
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  </book>
  <book id="3431">
    <dc:title>The Curious Case of Benjamin Button</dc:title>
    <dc:author id="201">Francis Scott Fitzgerald</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3431</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1922</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:description>&lt;p&gt;This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's &quot;Note-books.&quot;
&lt;br /&gt;The story was published in &quot;Collier's&quot; last summer and provoked this startling letter from an anonymous admirer in Cincinnati:
&lt;br /&gt;&quot;Sir--
&lt;br /&gt;I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a peice of stationary on you but I will.&quot;
&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+50 or in the USA (published before 1923).</dc:rights>
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  </book>
  <book id="814">
    <dc:title>The Tell-Tale Heart</dc:title>
    <dc:author id="16">Edgar Allan Poe</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/814</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553212281</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1843</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:subject>Gothic</dc:subject>
    <dc:description>&lt;p&gt;&quot;The Tell-Tale Heart&quot; is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a &quot;vulture eye&quot;. The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards.
&lt;br /&gt;It is unclear what relationship, if any, the old man and his murderer share. It has been suggested that the old man is a father figure or, perhaps, that his vulture eye represents some sort of veiled secret. The ambiguity and lack of details about the two main characters stand in stark contrast to the specific plot details leading up to the murder.
&lt;br /&gt;The story was first published in James Russell Lowell's The Pioneer in January 1843. &quot;The Tell-Tale Heart&quot; is widely considered a classic of the Gothic fiction genre and one of Poe's most famous short stories.&lt;/p&gt;</dc:description>
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  </book>
  <book id="3428">
    <dc:title>The Raven</dc:title>
    <dc:author id="16">Edgar Allan Poe</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3428</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1845</dc:date>
    <dc:subject>Poetry</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:description>&lt;p&gt;&quot;The Raven&quot; is a narrative poem by the American writer and poet Edgar Allan Poe. It was published for the first time on January 29, 1845, in the New York Evening Mirror. Noted for its musicality, stylized language and supernatural atmosphere, it tells of the mysterious visit of a talking raven to a distraught lover, tracing his slow descent into madness.&lt;/p&gt;</dc:description>
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  </book>
  <book id="762">
    <dc:title>The Cask of Amontillado</dc:title>
    <dc:author id="16">Edgar Allan Poe</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/762</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1846</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:description>&lt;p&gt;&quot;The Cask of Amontillado&quot; (sometimes spelled &quot;The Casque of Amontillado&quot;) is a short story, written by Edgar Allan Poe and first published in the November 1846 issue of Godey's Lady's Book.
&lt;br /&gt;The story is set in a nameless Italian city in an unspecified year (possibly sometime during the eighteenth century) and concerns the deadly revenge taken by the narrator on a friend who he claims has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive &#8211; in this case, by immurement.&lt;/p&gt;</dc:description>
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  </book>
  <book id="795">
    <dc:title>The Murders in the Rue Morgue</dc:title>
    <dc:author id="16">Edgar Allan Poe</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/795</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679643427</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1841</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Crime/Mystery</dc:subject>
    <dc:description>&lt;p&gt;&quot;The Murders in the Rue Morgue&quot; is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been claimed as the first detective story; Poe referred to it as one of his &quot;tales of ratiocination&quot;. Similar works predate Poe's stories, including Das Fr&#228;ulein von Scuderi (1819) by E.T.A. Hoffmann and Zadig (1748) by Voltaire.
&lt;br /&gt;C. Auguste Dupin is a man in Paris who solves the mysterious brutal murder of two women. Numerous witnesses heard a suspect, though no one agrees on what language was spoken. At the murder scene, Dupin finds a hair that does not appear to be human.
&lt;br /&gt;As the first true detective in fiction, the Dupin character established many literary devices which would be used in future fictional detectives including Sherlock Holmes and Hercule Poirot. Many later characters, for example, follow Poe's model of the brilliant detective, his personal friend who serves as narrator, and the final revelation being presented before the reasoning that leads up to it. Dupin himself reappears in &quot;The Mystery of Marie Roget&quot; and &quot;The Purloined Letter&quot;.&lt;/p&gt;</dc:description>
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  </book>
  <book id="789">
    <dc:title>The Masque of the Red Death</dc:title>
    <dc:author id="16">Edgar Allan Poe</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/789</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1842</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:description>&lt;p&gt;&quot;The Masque of the Red Death&quot;, originally published as &quot;The Mask of the Red Death&quot;, is a short story written by Edgar Allan Poe and first published in 1842. The story follows Prince Prospero's attempts to avoid a dangerous plague known as the Red Death by hiding in his abbey. He, along with many other wealthy nobles, has a masquerade ball within seven rooms of his abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure enters and makes his way through each of the rooms. When Prospero confronts this stranger, he falls dead. The story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the disease of the &quot;Red Death.&quot;&lt;/p&gt;</dc:description>
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  </book>
  <book id="1487">
    <dc:title>Anna Karenina</dc:title>
    <dc:author id="28">Lev Nikolayevich Tolstoy</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/1487</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1593080271</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1877</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Romance</dc:subject>
    <dc:description>&lt;p&gt;Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society. Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  </book>
  <book id="413">
    <dc:title>The Portrait of a Lady</dc:title>
    <dc:author id="113">Henry James</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/413</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0375759190</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1881</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Romance</dc:subject>
    <dc:description>&lt;p&gt;One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, &#8220;affront her destiny.&#8221; James began The Portrait of a Lady without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish&#8212;and then protect&#8212;her independence. But Isabel&#8217;s pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. &#8220;James&#8217;s formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved,&#8221; writes Hortense Calisher, &#8220;make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot.&#8221;&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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</list>
