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In this lyrical meditation on listening, Jean-Luc Nancy examines sound in relation to the human body. How is listening different from hearing? What does listening entail? How does what is heard differ from what...
You have a passion for making beautiful music, but when it comes to understanding and speaking the musical language, you need a little help. The Complete Idiot's Mini Guide to Music Theory Must-Know Terms compiles...
Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. Given the reliance on idiosyncratic...
Alistair Noble reveals key aspects of Morton Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, he shows that Feldman worked deliberately...
The extent to which Cornelius Cardew has been a central figure and a force for new ideas in music forms the backbone to this book. Cardew's diverse body of work and activity is here given coherence by its sharing...
Presents material on Heinrich Schenker and reductive linear analysis and additional material on set theoretical analysis. Replete with musical examples, charts, and diagrams.
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of...
Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure...
Despite their central role in many forms of music-making, drummers have been largely neglected in the scholarly literature on music and education. Drawing on data collected from in-depth interviews and questionnaires,...
This edited collection brings together theoretical papers and case studies of practice in response to the challenge of becoming more conscious of the creative and multiple dimensions of social interaction in...
Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary...
Internationally renowned contributors address a number of fundamental questions designed to take the reader to the heart of current debates around knowledge, practice, professionalism, and learning and teaching...
Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes...
Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural...
Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences....
This volume offers new research on musical creativity by experts from the fields of music education, music psychology and music therapy. Contributions focus on the composition/improvisation process, considering...
Very little research has been conducted on how madness is represented in popular music. In an effort to redress this imbalance, Nicola Spelman identifies links between the anti-psychiatry movement and representations...
This analytical study explains how Mozart's music for Le Nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart did...
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period...
Writing the history of musical composition in the late twentieth century might be seen as problematic. A productive way forward is to pursue case studies involving single composers whose music reflects several...
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