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Listening

by Jean-Luc Nancy

In this lyrical meditation on listening, Jean-Luc Nancy examines sound in relation to the human body. How is listening different from hearing? What does listening entail? How does what is heard differ from what...


The Complete Idiot's Mini Guide to Music Theory Must-Know Terms

by Michael Miller

You have a passion for making beautiful music, but when it comes to understanding and speaking the musical language, you need a little help. The Complete Idiot's Mini Guide to Music Theory Must-Know Terms compiles...


The Classical Revolution: Thoughts on New Music in the 21st Century

by John Borstlap

The Classical Revolution is an accessible and informative polemic for music lovers with an interest in the meaning of classical music in general, and the classical tradition in particular which seems to be re-emerging...


Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation

by Erin Minear

Offering a new perspective on two major authors, Minear explores Shakespeare's and Milton's fascination with the idea of language infiltrated by music and reproducing not so much the formal or sonic properties...


Messiaen's Musical Techniques: The Composer's View and Beyond

by Gareth Healey

Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. Given the reliance on idiosyncratic...


Composing Ambiguity: The Early Music of Morton Feldman

by Alistair Noble

Alistair Noble reveals key aspects of Morton Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, he shows that Feldman worked deliberately...


The Legacy of Cornelius Cardew

by Tony Harris

The extent to which Cornelius Cardew has been a central figure and a force for new ideas in music forms the backbone to this book. Cardew's diverse body of work and activity is here given coherence by its sharing...


Comprehensive Musical Analysis

by John D. White

Presents material on Heinrich Schenker and reductive linear analysis and additional material on set theoretical analysis. Replete with musical examples, charts, and diagrams.


Text and Drugs and Rock 'n' Roll: The Beats and Rock Culture

by Simon Warner

Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of...


Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure

by eldritch Priest

Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure...


I Drum, Therefore I Am: Being and Becoming a Drummer

by Gareth Dylan Smith

Despite their central role in many forms of music-making, drummers have been largely neglected in the scholarly literature on music and education. Drawing on data collected from in-depth interviews and questionnaires,...


Collaborative Learning in Higher Music Education

by Helena Gaunt & Heidi Westerlund

This edited collection brings together theoretical papers and case studies of practice in response to the challenge of becoming more conscious of the creative and multiple dimensions of social interaction in...


Loading the Silence: Australian Sound Art in the Post-Digital Age

by Linda Ioanna Kouvaras

Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary...


Professional Knowledge in Music Teacher Education

by Eva Georgii-Hemming & Pamela Burnard

Internationally renowned contributors address a number of fundamental questions designed to take the reader to the heart of current debates around knowledge, practice, professionalism, and learning and teaching...


Dimensions of Energy in Shostakovich's Symphonies

by Michael Rofe

Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes...


Contemplating Shostakovich: Life, Music and Film

by Alexander Ivashkin & Kirkman

Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural...


Musical Theatre, Realism and Entertainment

by Taylor

Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences....


Musical Creativity: Insights from Music Education Research

by Odena

This volume offers new research on musical creativity by experts from the fields of music education, music psychology and music therapy. Contributions focus on the composition/improvisation process, considering...


Popular Music and the Myths of Madness

by Spelman

Very little research has been conducted on how madness is represented in popular music. In an effort to redress this imbalance, Nicola Spelman identifies links between the anti-psychiatry movement and representations...


Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte

by Ford

This analytical study explains how Mozart's music for Le Nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart did...