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Iranian Cinema in a Global Context: Policy, Politics, and Form

by Peter Decherney & Blake Atwood

Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has...


Music Editing for Film and Television: The Art and the Process

by Steven Saltzman

Making music for the movies is a complicated, involved, and challenging process. Music Editing for Film and Television covers the practical skills needed to successfully hone your craft. Through an overview...


Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art

by Doris Berger

Biopics on artists influence the popular perception of artists' lives and work. Projected Art History highlights the narrative structure and images created in the film genre of biopics, in which an artist's...


The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema

by Gerald Sim

The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have sought to understand cinema's relationship to racial ideology. In attempting to do more than merely...


Nazisploitation!: The Nazi Image in Low-Brow Cinema and Culture

by Daniel H. Magilow, Elizabeth Bridges & Kristin T. Vander Lugt

A brilliant line-up of international contributors examine the implications of the portrayals of Nazis in low-brow culture and that culture's re-emergence today.


Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility

by David Deamer

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and...


Afterlives: Allegories of Film and Mortality in Early Weimar Germany

by Steve Choe

Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these...


Andr¿ Bazin and Italian Neorealism

by Andr¿ Bazin & Bert Cardullo

Andr� Bazin and Italian Neorealism presents a new selection of Andr� Bazin's writings on Vittorio De Sica, Roberto Rossellini, and Federico Fellini; lesser known but important neorealist works such as The...


Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s

by Isolde Standish

A superb new study of Japanese culture in the post-war period, focusing on a handful of filmmakers who created movies for a politically conscious audience.


Reframing 9/11: Film, Popular Culture and the "War on Terror"

by Jeff Birkenstein, Anna Froula & Karen Randell

A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.


A History of Greek Cinema

by Vrasidas Karalis

The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).


Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg

by James Kendrick

While there has been a significant outpouring of scholarship on Steven Spielberg over the past decade, his films are still frequently discussed as being paternalistic, escapist, and reliant on uncomplicated...


Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films

by Aaron Kerner

A sweeping survey of how global filmmakers have treated the subject of the Holocaust.


Classical Japanese Cinema Revisited

by Catherine Russell

Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics.


Demystifying Disney: A History of Disney Feature Animation

by Chris Pallant

An innovative critical history of Disney feature animation that uproots common misconceptions and brings fresh scholarly definition to a busy field.


The Horror Film

by Peter Hutchings

The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror...


Quentin Tarantino

by Edward Gallafent

Quentin Tarantino is one of the best-known living American filmmakers in the world, and the story of his career has been the subject of a number of books and articles. But what do his films mean? In this new...


Cinematic Chronotopes: Here, Now, Me

by Pepita Hesselberth

The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,'...


Film and the German Left in the Weimar Republic: From Caligari to Kuhle Wampe

by Bruce Murray

The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important...


Pretty Pictures: Production Design and the History Film

by C. S. Tashiro

Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines....