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Animating Space: From Mickey to Wall-E

by J.P. Telotte

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises...


Movie Speak: How to Talk Like You Belong on a Movie Set

by Tony Bill

When is "groucho" not a comedian? A "seagull" not a bird? A "banana" not a fruit, and a "taco cart" not a food stand? What's the "Castle rock rule" and when should you call for a "buff & puff"? And why expect...


Von Sternberg

by John Baxter

Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education. The director who strutted onto the set in a...


The Philosophy of Science Fiction Film

by Steven Sanders

The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. The Philosophy of Science...


The Philosophy of David Lynch

by William Devlin

From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer,...


Film Genre for the Screenwriter

by Jule Selbo

Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo's popular course, this accessible guide includes...


The Wizard of Oz FAQ: All That's Left to Know About Life, According to Oz

Action!: Professor Know-It-All's Illustrated Guide to Film & Video Making

by Bill Brown

Focusing on necessary lessons and skills to make watchable films, this profusely illustrated volume provides budding directors with vital information they can use. Featuring a wealth of definitions and concise,...


Writing and Cinema

by Jonathan Bignell

 This collection of essays examines the ways in which writing and cinema can be studied in relation to each other. A wide range of material is presented, from essays which look at particular films, including...


Shakespeare on Film

by Judith R. Buchanan

 From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive...


The Technique of Film and Video Editing: History, Theory, and Practice

by Ken Dancyger

First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.


The Art Direction Handbook for Film & Television

by Michael Rizzo

In this new and expanded edition of The Art Direction Handbook, author Michael Rizzo now covers art direction for television, in addition to updated coverage of film design. This comprehensive, professional...


The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916--1989

by Kamila Kuc

This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding...


Electric Sounds: Technological Change and the Rise of Corporate Mass Media

by Steve J. Wurtzler

Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the...


Black & White & Noir: America's Pulp Modernism

by Paula Rabinowitz

The first book to treat issues of race and ethnicity as related to noir, offering a cultural history of twentieth-century America through episodic readings of films, photographs, and literature.


Mise-en-scène: Film Style and Interpretation

by John Gibbs

Mise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and...


The Grove Book of Hollywood

by Christopher Silvester

The Orlando Sentinel described The Grove Book of Hollywood as "a marvelous overview of the mythical world of Screenland through the eyes of those who observed it firsthand." In pieces by bemused outsiders like...


The Naked And The Undead: Evil And The Appeal Of Horror

by Cynthia Freeland

Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects,...


Cinema After Deleuze

by Richard Rushton

Cinema After Deleuze offers a clear and lucid introduction to Deleuze's writings on cinema which will appeal both to undergraduates and specialists in film studies and philosophy. The book provides explanations...


Philosophy Goes to the Movies: An Introduction to Philosophy

by Christopher Falzon

Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the...