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Animating Space: From Mickey to Wall-E

by J.P. Telotte

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises...


Movie Speak: How to Talk Like You Belong on a Movie Set

by Tony Bill

When is "groucho" not a comedian? A "seagull" not a bird? A "banana" not a fruit, and a "taco cart" not a food stand? What's the "Castle rock rule" and when should you call for a "buff & puff"? And why expect...


Von Sternberg

by John Baxter

Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education. The director who strutted onto the set in a...


The Philosophy of Science Fiction Film

by Steven Sanders

The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. The Philosophy of Science...


The Philosophy of David Lynch

by William Devlin

From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer,...


The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916--1989

by Kamila Kuc

This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding...


Electric Sounds: Technological Change and the Rise of Corporate Mass Media

by Steve J. Wurtzler

Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the...


Black & White & Noir: America's Pulp Modernism

by Paula Rabinowitz

The first book to treat issues of race and ethnicity as related to noir, offering a cultural history of twentieth-century America through episodic readings of films, photographs, and literature.


Mise-en-scène: Film Style and Interpretation

by John Gibbs

Mise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and...


The Grove Book of Hollywood

by Christopher Silvester

The Orlando Sentinel described The Grove Book of Hollywood as "a marvelous overview of the mythical world of Screenland through the eyes of those who observed it firsthand." In pieces by bemused outsiders like...


The Naked And The Undead: Evil And The Appeal Of Horror

by Cynthia Freeland

Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects,...


Cinema After Deleuze

by Richard Rushton

Cinema After Deleuze offers a clear and lucid introduction to Deleuze's writings on cinema which will appeal both to undergraduates and specialists in film studies and philosophy. The book provides explanations...


Philosophy Goes to the Movies: An Introduction to Philosophy

by Christopher Falzon

Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the...


Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV

by Lori Coleman & Diana Friedberg

First published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.


After Effects in Production: A Companion for Creating Motion Graphics

by Trish Meyer & Chris Meyer

Take your After Effects skills to a new level! Twelve step-by-step tutorials, designed by industry professionals, explore a variety of creative approaches as they teach useful design concepts and production...


Video Production Workshop: DMA Series

by Tom Wolsky

Video Production Workshop is the first book written to be accessible and appealing to a younger, digitally savvy audience interested in learning the full range of skills involved in planning and executing a...


Historical Dictionary of Ian Fleming's World of Intelligence: Fact and Fiction

by Nigel West

The Historical Dictionary of Ian FlemingOs World of Intelligence: Fact and Fiction includes hundreds of dictionary entries on actual cases of espionage, real-life spies, MI5, SIS, CIA, and KGB, as well as on...


American Classic Screen Features

by John C. Tibbetts

In American Classic Screen Features, editors John C. Tibbetts and James M. Welsh have assembled some of the most significant and memorable essays and critical pieces written for the magazine over its ten-year...


American Classic Screen Profiles

by John C. Tibbetts

In American Classic Screen Profiles, editors John C. Tibbetts and James M. Welsh have assembled some of the most significant and memorable profiles written for the magazine over its ten-year history. This collection...


Compositing Visual Effects: Essentials for the Aspiring Artist

by Steve Wright

Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots,...