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Filming the End of the Holocaust: Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps

by John J. Michalczyk

Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation....


Terence Davies

by Michael Koresky

An appraisal of one of contemporary cinema's most admired and confounding figures


Film Theory: Creating a Cinematic Grammar: Creating a Cinematic Grammar

by Felicity Colman

Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen,...


Soviet Cinema in the Silent Era, 1918-1935

by Denise J. Youngblood

The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran...


Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema

by Anne Helen Petersen

Gossip meets history-a compulsively readable collection of Hollywood's most notorious clashes and controversies in the spirit of Hollywood Babylon

Believe it or not, America's fascination with celebrity culture...


The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema

by Gerald Sim

The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have sought to understand cinema's relationship to racial ideology. In attempting to do more than merely...


Nazisploitation!: The Nazi Image in Low-Brow Cinema and Culture

by Daniel H. Magilow, Elizabeth Bridges & Kristin T. Vander Lugt

A brilliant line-up of international contributors examine the implications of the portrayals of Nazis in low-brow culture and that culture's re-emergence today.


Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility

by David Deamer

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and...


Afterlives: Allegories of Film and Mortality in Early Weimar Germany

by Steve Choe

Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these...


Andr Bazin and Italian Neorealism

by Andr¿ Bazin & Bert Cardullo

Andr� Bazin and Italian Neorealism presents a new selection of Andr� Bazin's writings on Vittorio De Sica, Roberto Rossellini, and Federico Fellini; lesser known but important neorealist works such as The...


Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s

by Isolde Standish

A superb new study of Japanese culture in the post-war period, focusing on a handful of filmmakers who created movies for a politically conscious audience.


Reframing 9/11: Film, Popular Culture and the "War on Terror"

by Jeff Birkenstein, Anna Froula & Karen Randell

A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.


A History of Greek Cinema

by Vrasidas Karalis

The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).


Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films

by Aaron Kerner

A sweeping survey of how global filmmakers have treated the subject of the Holocaust.


Classical Japanese Cinema Revisited

by Catherine Russell

Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics.


Demystifying Disney: A History of Disney Feature Animation: A History of Disney Feature Animation

by Chris Pallant

An innovative critical history of Disney feature animation that uproots common misconceptions and brings fresh scholarly definition to a busy field.


Closely Watched Films: An Introduction to the Art of Narrative Film Technique

by Marilyn Fabe

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film...


The New Latin American Cinema: A Continental Project

by Zuzana M. Pick

During the 1967 festival of Latin American Cinema in Viña del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly...


From Walt to Woodstock: How Disney Created the Counterculture

by Douglas Brode

With his thumbprint on the most ubiquitous films of childhood, Walt Disney is widely considered to be the most conventional of all major American moviemakers. The adjective "Disneyfied" has become shorthand...


The Euro-American Cinema

by Peter Lev

With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American...