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Creative Storytelling: Building Community/Changing Lives

by Jack Zipes

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

After Identity: A Reader in Law and Culture

by Dan Danielsen & Karen Engle

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

The Meaning of Tingo: and Other Extraordinary Words from Around the World

by Adam Jacot de Boinod

More information to be announced soon on this forthcoming title from Penguin USA

Continental Divide: The Values and Institutions of the United States and Canada

by Seymour Martin Lipset

Seymour Martin Lipset's highly acclaimed work explores the distinctive character of American and Canadian values and institutions. Lipset draws material from a number of sources: historical accounts, critical...

Instructional Consultation

by Sylvia Rosenfield

First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

The Psychology of Reading

by Keith Rayner & Alexander Pollatsek

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Introducing Performative Pragmatics

by Douglas Robinson

Robinson's student-friendly introduction to pragmatics explores a diverse range of approaches to this action-oriented study of language. Discussion questions, an on-line teacher's guide and short biographies...

Shakespeare's Tragic Sequence

by Kenneth Muir

First published in 1972.

The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics...

Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays

by Terence Hawkes

'Mr Hawkes is a good critic, oriented towards history of ideas. He operates on the formula that Shakespeare was interested in the available distinctions between discursive and intuitive reason, and disliked...

Shakespeare's Tragedies

by G B Harrison

First published in 1951.

G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy...

Shakespeare's Early Tragedies

by Nicholas Brooke

First published in 1968.

Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of...

Old Vic Prefaces: Shakespeare and the Producer

by Hugh Hunt

Old Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953. The prefaces are unique in that they relate to actual...

Tales from Deadwood

by Mike Jameson

More information to be announced soon on this forthcoming title from Penguin USA

Shakespeare: The Art of the Dramatist

by Roland Mushat Frye

This edition first published in 1982. Previous edition published in 1972 by Houghton Mifflin.

Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive...

Shakespeare's Poetics: In relation to King Lear

by Russell A Fraser

First published in 1962.

This volume gives as complete an account as possible of the Shakespearian experience, particularly in terms of one play, King Lear, but in general against the context of all of Shakespeare's...

Shakespeare: The Dark Comedies to the Last Plays: From Satire to Celebration

by R A Foakes

First published in 1971.

This volume explains and analyses the last plays of Shakespeare as dramatic structures. Beginning from the dark comedies, the author describes the ways in which Shakespeare was affected...

Shakespeare's Drama

by Una Ellis-Fermor & Kenneth Muir

First published in 1980.

This collection of essays by the first General Editor of the New Arden Shakespeare brings together the best of Ellis-Fermor's Shespearean criticism, in addition to outstanding essays...

Shakespeare the Dramatist: And other papers

by Una Ellis-Fermor & Kenneth Muir

First published in 1961.

On her death, Professor Ellis-Fermor left behind some uncollected essays and part of a book on Shakespeare the Dramatist. This volume includes the chapters of the unfinished work and...

Shakespeare and the Confines of Art

by Philip Edwards

First published in 1968.

By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which...


by George Ian Duthie

First published in 1951.

'The book has the sterling qualities of shrewd sense and acumen that mark the 'rational' classical school of Shakespeare criticism.' Notes and Queries

'Professor Duthie's approach is...