Apocalypse/Post-Apocalypse http://www.feedbooks.com/list/64 Apocalyptic fiction is a sub-genre of science fiction (or, in some cases, the more general category speculative fiction) that is concerned with the end of civilization through nuclear war, plague, or some other general disaster. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in an agrarian, non-technological future world, or a world where only scattered elements of technology remain. There is a considerable degree of blurring between this form of science fiction and that which deals with false utopias or dystopic societies. A work of apocalyptic or post-apocalyptic fiction might also be called a ruined Earth story, or dying Earth if the apocalypse is sufficiently dire. The genres gained in popularity after World War II, when the possibility of global annihilation by nuclear weapons entered the public consciousness. However, recognizable apocalyptic novels existed at least since the first quarter of the 19th century, when Mary Shelley's The Last Man was published. Additionally, the subgenres draw on a body of apocalyptic literature, tropes, and interpretations that are millennia old. Source: Wikipedia 6 21 Cyberpunk http://www.feedbooks.com/list/26 Cyberpunk is a science fiction genre noted for its focus on "high tech and low life". It is also a musical subgenre of metal. The name is derived from cybernetics and punk and was originally coined by Bruce Bethke as the title of his short story "Cyberpunk" published in 1983, though the style was popularized well before its publication by editor Gardner Dozois. It features advanced science such as information technology and cybernetics, coupled with a degree of breakdown or a radical change in the social order. According to Lawrence Person: "Classic cyberpunk characters were marginalized, alienated loners who lived on the edge of society in generally dystopic futures where daily life was impacted by rapid technological change, an ubiquitous datasphere of computerized information, and invasive modification of the human body." Cyberpunk music often features heavy bass, bass drums, and synthesized sound effects. It is considered a subgenre of metal or EBM (electronic body music). Lyrics tend to lean toward the obscene, but usually include a message of some meaning that fits in with the classic punk. These meanings are often modernized and anti-establisment messages are not quite as common as in regular punk music. Cyberpunk plots often center on a conflict among hackers, artificial intelligences, and mega corporations. They tend to be set in a near-future Earth, rather than the far future settings or galactic vistas found in novels like Isaac Asimov's Foundation or Frank Herbert's Dune. The settings are usually post-industrial dystopias, but tend to be marked by extraordinary cultural ferment and the use of technology in ways never anticipated by its creators ("the street finds its own uses for things"). Much of the genre's atmosphere echoes film noir, and written works in the genre often use techniques from detective fiction. Primary exponents of the cyberpunk field include William Gibson, Bruce Sterling, Pat Cadigan, Rudy Rucker and John Shirley. Postmodernist investigation of cyberpunk became a fashionable topic in academic circles, and the genre reached Hollywood to become one of cinema's staple science-fiction styles. Many influential films such as Blade Runner, Hackers (film), the Matrix trilogy or the more recent adaptation of Philip K. Dick's A Scanner Darkly can be seen as prominent examples of the cyberpunk style and theme. Computer games, board games and role-playing games (such as Shadowrun or Cyberpunk 2020) often feature storylines that are heavily influenced by cyberpunk writing and movies. Beginning in the early 1990s, some trends in fashion and music were also labeled as cyberpunk. Cyberpunk is also featured prominently in anime, Ghost in the Shell being the most notable. As a wider variety of writers began to work with cyberpunk concepts, new-subgenres of science fiction emerged, playing off the cyberpunk label, and focusing on technology and its social effects in different ways. Examples include steampunk (cyberpunk themes in the early industrial age), pioneered by Tim Powers, K. W. Jeter, and James Blaylock, and biopunk (cyberpunk themes dominated by biotechnology, including Paul Di Filippo’s half-serious ribofunk). In addition, some people consider works such as Neal Stephenson’s The Diamond Age to be postcyberpunk. Some of the more popular cyberpunk bands include Angelspit, ASP, Chiasm, Combichrist, Das Ich, Seraphim Shock, Suicide Commando, and Zombie Girl. Source: Wikipedia 15 13 Hugo Awards & Nominees http://www.feedbooks.com/list/140 The Hugo Awards are given every year for the best science fiction or fantasy works and achievements of the previous year. The award is named after Hugo Gernsback, the founder of the pioneering science fiction magazine Amazing Stories. Hugo Awards have been presented every year since 1955. Hugo Award nominees and winners are chosen by members of the annual Worldcon (although only about 700 of several thousand Worldcon members actually vote) and the presentation evening constitutes its central point. The selection process is defined in the World Science Fiction Society Constitution as instant-runoff voting with five nominees (except in the case of a tie). The Hugo Award trophy was co-designed by longtime SF fan and booster Benedict Jablonski. The rocket design has become standardised in recent years and the rockets are currently produced by UK fan Peter Weston. The design for the base on which the rocket is mounted is the responsibility of the Worldcon committee and therefore changes each year. The base design has been selected by various means including committee selection, direct commission and open competition (currently the most common method). Source: Wikipedia 17 13 Stross, Charles 1964 en 3 27435 Charles David George "Charlie" Stross (born Leeds, October 18, 1964) is a writer based in Edinburgh, Scotland. His works range from science fiction and Lovecraftian horror to fantasy. Stross is sometimes regarded as being part of a new generation of British science fiction writers who specialise in hard science fiction and space opera. His contemporaries include Alastair Reynolds, Ken MacLeod and Liz Williams. Obvious inspirations include Vernor Vinge, Neal Stephenson, William Gibson, and Bruce Sterling, among other cyberpunk and postcyberpunk writers. His first published short story, "The Boys", appeared in Interzone in 1987: his first novel, Singularity Sky was published by Ace in 2003 and was nominated for the Hugo Award. A collection of his short stories, Toast: And Other Rusted Futures appeared in 2002. Subsequent short stories have been nominated for the Hugo Award, Nebula Award, and other awards. His novella "The Concrete Jungle" won the Hugo award for its category in 2005. Most recently, Accelerando won the 2006 Locus Award for best science fiction novel, was a finalist for the John W. Campbell Memorial Award for the year's best science fiction novel, and was on the final ballot for the Hugo Award in the best novel category. Glasshouse is on the final ballot for the Hugo Award in the best novel category. In the 1970s and 1980s, Stross published some role-playing game articles for Advanced Dungeons & Dragons in the White Dwarf magazine. Some of his creatures, such as the death knight, githyanki (borrowed from George R. R. Martin's book, Dying of the Light), githzerai, and slaad were later published in the Fiend Folio monster compendium. In addition to working as a writer of fiction he has worked as a technical author, freelance journalist, programmer, and pharmacist at different times. He holds degrees in Pharmacy and Computer Science. Rogue Farm, a machinima film based on his 2003 short story of the same title, debuted in August 2004. He is one of the Guests of Honour at Orbital 2008 the British National Science Fiction convention (Eastercon) in March 2008. Source: Wikipedia Doctorow, Cory 1971 en 25 310743 Cory Doctorow (born July 17, 1971) is a blogger, journalist and science fiction author who serves as co-editor of the blog Boing Boing. He is in favor of liberalizing copyright laws, and a proponent of the Creative Commons organisation, and uses some of their licenses for his books. Some common themes of his work include digital rights management, file sharing, Disney, and post-scarcity economics. Source: Wikipedia Creative Commons Fantasy http://www.feedbooks.com/list/25 Many fantasy writers are releasing part of their works under a Creative Commons license. If you'd like to discover new writers, and you're interested in modern fantasy, you'll find the right content in this list. 17 19 High School Reading http://www.feedbooks.com/list/204 A list of books that are commonly found on reading lists for US high school English classes. 24 66 Time Travel http://www.feedbooks.com/list/13 Time travel is the concept of moving backwards and forwards to different points in time, in a manner analogous to moving through space. Additionally, some interpretations of time travel suggest the possibility of travel between parallel realities or universes. Although time travel has been a common plot device in fiction since the 19th century, and one-way travel into the future is arguably possible given the phenomenon of time dilation in the theory of relativity, it is currently unknown whether the laws of physics would allow backwards time travel. Any technological device, whether fictional or hypothetical, that is used to achieve two-way time travel is known as a time machine. Source: Wikipedia 6 31