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  <book id="711">
    <dc:title>The Antichrist</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/711</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1420925091</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1888</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Friedrich Nietzsche's &quot;The Antichrist&quot; might be more aptly named &quot;The Antichristian,&quot; for it is an unmitigated attack on Christianity that Nietzsche makes within the text instead of an exposition on evil or Satan as the title might suggest. In &quot;The Antichrist,&quot; Nietzsche presents a highly controversial view of Christianity as a damaging influence upon western civilization that must come to an end. Regardless of ones religious or philosophical point of view, &quot;The Antichrist&quot; makes for an engaging philosophical discourse.&lt;/p&gt;</dc:description>
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  </book>
  <book id="180">
    <dc:title>The Brothers Karamazov</dc:title>
    <dc:author id="2">Fyodor Mikhailovich Dostoyevsky</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/180</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0486437914</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1880</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Psychology</dc:subject>
    <dc:description>&lt;p&gt;The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky, and is generally considered the culmination of his life's work. Dostoevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November 1880. Dostoevsky intended it to be the first part in an epic story titled The Life of a Great Sinner,[1] but he died less than four months after its publication.
&lt;br /&gt;The book portrays a parricide in which each of the murdered man's sons share a varying degree of complicity. On a deeper level, it is a spiritual drama of moral struggles concerning faith, doubt, reason, free will and modern Russia. Dostoevsky composed much of the novel in Staraya Russa, which is also the main setting of the novel.&lt;/p&gt;</dc:description>
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  </book>
  <book id="342">
    <dc:title>The Awakening &amp; Other Short Stories</dc:title>
    <dc:author id="119">Kate Chopin</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/342</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679783334</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1899</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:description>&lt;p&gt;The Awakening shocked turn-of-the-century readers with its forthright treatment of sex and suicide. Departing from literary convention, Kate Chopin failed to condemn her heroine's desire for an affair with the son of a Louisiana resort owner, whom she meets on vacation. The power of sensuality, the delusion of ecstatic love, and the solitude that accompanies the trappings of middle- and upper-class life are the themes of this now-classic novel. As Kaye Gibbons points out in her Introduction, Chopin &quot;was writing American realism before most Americans could bear to hear that they were living it.&quot;&lt;/p&gt;</dc:description>
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  </book>
  <book id="172">
    <dc:title>Thus Spake Zarathustra</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/172</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1845882423</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1885</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Thus Spoke Zarathustra (German: Also sprach Zarathustra, sometimes translated Thus Spake Zarathustra), subtitled A Book for All and None (Ein Buch f&#252;r Alle und Keinen), is a written work by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the &quot;eternal recurrence of the same&quot;, the parable on the &quot;death of God&quot;, and the &quot;prophecy&quot; of the Overman, which were first introduced in The Gay Science.
&lt;br /&gt;Described by Nietzsche himself as &quot;the deepest ever written&quot;, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.&lt;/p&gt;</dc:description>
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  </book>
  <book id="676">
    <dc:title>Beyond Good and Evil</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/676</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1604593210</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1886</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Beyond Good and Evil (German: Jenseits von Gut und B&#246;se), subtitled &quot;Prelude to a Philosophy of the Future&quot; (Vorspiel einer Philosophie der Zukunft), is a book by the German philosopher Friedrich Nietzsche, first published in 1886.
&lt;br /&gt;It takes up and expands on the ideas of his previous work, Thus Spoke Zarathustra, but approached from a more critical, polemical direction.
&lt;br /&gt;In Beyond Good and Evil, Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm &quot;beyond good and evil&quot; in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.&lt;/p&gt;</dc:description>
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