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  <book id="139">
    <dc:title>Little Women</dc:title>
    <dc:author id="50">Louisa May Alcott</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/139</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0517214628</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1868</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:description>&lt;p&gt;Little Women or, Meg, Jo, Beth and Amy is a novel by American author Louisa May Alcott (1832&#8211;1888). Written and published in two parts in 1868 and 1869, the novel follows the lives of four sisters &#8212; Meg, Jo, Beth and Amy March &#8212; and is loosely based on the author's childhood experiences with her three sisters. The first part of the book was an immediate commercial and critical success and prompted the composition of the book's second part, also a huge success. Both parts were first published as a single volume in 1880. The book is an unquestioned American classic.&lt;/p&gt;</dc:description>
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  <book id="53">
    <dc:title>Sense and Sensibility</dc:title>
    <dc:author id="18">Jane Austen</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/53</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0192804782</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1811</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Romance</dc:subject>
    <dc:description>&lt;p&gt;Elinor and Marianne are two daughters of Mr. Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John and the Dashwood women are left in reduced circumstances. Fortunately, a distant relative offers to rent the women a cottage on his property.
&lt;br /&gt;The novel follows the Dashwood sisters to their new home, where they experience both romance and heartbreak.&lt;/p&gt;</dc:description>
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  </book>
  <book id="3471">
    <dc:title>The Public Domain: Enclosing the Commons of the Mind</dc:title>
    <dc:author id="838">James Boyle</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3471</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0300137400</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2008</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Essay</dc:subject>
    <dc:description>&lt;p&gt;In this enlightening book James Boyle describes what he calls the range wars of the information age&#8212;today&#8217;s heated battles over intellectual property. Boyle argues that just as every informed citizen needs to know at least something about the environment or civil rights, every citizen should also understand intellectual property law. Why? Because intellectual property rights mark out the ground rules of the information society, and today&#8217;s policies are unbalanced, unsupported by evidence, and often detrimental to cultural access, free speech, digital creativity, and scientific innovation.
&lt;br /&gt;Boyle identifies as a major problem the widespread failure to understand the importance of the public domain&#8212;the realm of material that everyone is free to use and share without permission or fee. The public domain is as vital to innovation and culture as the realm of material protected by intellectual property rights, he asserts, and he calls for a movement akin to the environmental movement to preserve it. With a clear analysis of issues ranging from Jefferson&#8217;s philosophy of innovation to musical sampling, synthetic biology and Internet file sharing, this timely book brings a positive new perspective to important cultural and legal debates. If we continue to enclose the &#8220;commons of the mind,&#8221; Boyle argues, we will all be the poorer.&lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
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  </book>
  <book id="1032">
    <dc:title>Fantasia of the Unconscious</dc:title>
    <dc:author id="30">David Herbert Lawrence</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/1032</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1434400263</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1922</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:subject>Psychology</dc:subject>
    <dc:description>&lt;p&gt;I am not a proper archaeologist nor an anthropologist nor an ethnologist. I am no &quot;scholar&quot; of any sort. But I am very grateful to scholars for their sound work. I have found hints, suggestions for what I say here in all kinds of scholarly books, from the Yoga and Plato and St. John the Evangel and the early Greek philosophers like Herakleitos down to Fraser and his &quot;Golden Bough,&quot; and even Freud and Frobenius. Even then I only remember hints--and I proceed by intuition. This leaves you quite free to dismiss the whole wordy mass of revolting nonsense, without a qualm.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  </book>
  <book id="659">
    <dc:title>All Complex Ecosystems Have Parasites</dc:title>
    <dc:author id="93">Cory Doctorow</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/659</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2005</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Essay</dc:subject>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
    <cover>http://www.feedbooks.com/book/659.png</cover>
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  </book>
  <book id="3015">
    <dc:title>On the Origin of Species, 6th Edition</dc:title>
    <dc:author id="94">Charles Darwin</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3015</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0554267381</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1872</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Science</dc:subject>
    <dc:description>&lt;p&gt;Charles Darwin's On the Origin of Species, in which he writes of his theories of evolution by natural selection, is one of the most important works of scientific study ever published.&lt;/p&gt;</dc:description>
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  </book>
  <book id="3374">
    <dc:title>Siddhartha</dc:title>
    <dc:author id="692">Hermann Hesse</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3374</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553208845</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1922</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>Religion</dc:subject>
    <dc:description>&lt;p&gt;Siddhartha is an allegorical novel by Hermann Hesse which deals with the spiritual journey of an Indian boy called Siddhartha during the time of the Buddha.
&lt;br /&gt;The book, Hesse's ninth novel, was written in German, in a simple, yet powerful and lyrical, style. It was first published in 1922, after Hesse had spent some time in India in the 1910s. It was published in the U.S. in 1951 and became influential during the 1960s.
&lt;br /&gt;The word Siddhartha is made up of two words in the Sanskrit language, siddha (gotten) + artha (meaning or wealth). The two words together mean &quot;one who has found meaning (of existence)&quot; or &quot;he who has attained his goals&quot;. The Buddha's name, before his renunciation, was Prince Siddhartha Gautama, later the Buddha. In this book, the Buddha is referred to as &quot;Gotama&quot;.
&lt;br /&gt;Source: Wikipedia&lt;/p&gt;</dc:description>
    <dc:rights>This work was published before 1923 and is in the public domain in the USA only.</dc:rights>
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  </book>
  <book id="215">
    <dc:title>Tao Te Ching</dc:title>
    <dc:author id="105">Laozi</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/215</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679724346</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>-600</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>Religion</dc:subject>
    <dc:description>&lt;p&gt;The Tao Te Ching is fundamental to the Taoist school of Chinese philosophy and strongly influenced other schools, such as Legalism and Neo-Confucianism. This ancient book is also central in Chinese religion, not only for Taoism  but Chinese Buddhism, which when first introduced into China was largely interpreted through the use of Taoist words and concepts. Many Chinese artists, including poets, painters, calligraphers, and even gardeners have used the Tao Te Ching as a source of inspiration. Its influence has also spread widely outside East Asia, aided by hundreds of translations into Western languages.&lt;/p&gt;</dc:description>
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  </book>
  <book id="1596">
    <dc:title>Flatland: A Romance of Many Dimensions</dc:title>
    <dc:author id="243">Edwin Abbott Abbott</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/1596</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:048627263X</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1884</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>Science</dc:subject>
    <dc:subject>Humor/Satire</dc:subject>
    <dc:description>&lt;p&gt;Flatland: A Romance of Many Dimensions is an 1884 science fiction novella by the English schoolmaster Edwin Abbott Abbott.
&lt;br /&gt;As a satire, Flatland offered pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions; in a foreword to one of the many publications of the novella, noted science writer Isaac Asimov described Flatland as &quot;The best introduction one can find into the manner of perceiving dimensions.&quot; As such, the novella is still popular amongst mathematics, physics and computer science students.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
    <cover>http://www.feedbooks.com/book/1596.png</cover>
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  </book>
  <book id="3">
    <dc:title>The Gambler</dc:title>
    <dc:author id="2">Fyodor Mikhailovich Dostoyevsky</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/3</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0812966937</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1867</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:description>&lt;p&gt;The Gambler was written under the pressure of crushing debt. It is a stunning psychological portrait of a young man&#8217;s exhilarating and destructive addiction, a compulsion that Dostoevsky&#8211;who once gambled away his young wife&#8217;s wedding ring&#8211;knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.&lt;/p&gt;</dc:description>
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  <book id="210">
    <dc:title>An Inquiry into the Nature and Causes of the Wealth of Nations</dc:title>
    <dc:author id="104">Adam Smith</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/210</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0679783369</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1776</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Science</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Adam Smith's masterpiece, first published in 1776, is the foundation of modern economic thought and remains the single most important account of the rise of, and the principles behind, modern capitalism. Written in clear and incisive prose, The Wealth of Nations articulates the concepts indispensable to an understanding of contemporary society.&lt;/p&gt;</dc:description>
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  <book id="2846">
    <dc:title>Hamlet</dc:title>
    <dc:author id="494">William Shakespeare</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/2846</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:074347712X</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1599</dc:date>
    <dc:subject>Plays</dc:subject>
    <dc:description>&lt;p&gt;Hamlet is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet's father, the King, and then taken the throne and married Hamlet's mother. The play vividly charts the course of real and feigned madness&#8212;from overwhelming grief to seething rage&#8212;and explores themes of treachery, revenge, incest, and moral corruption.&lt;/p&gt;</dc:description>
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  <book id="70">
    <dc:title>Great Expectations</dc:title>
    <dc:author id="21">Charles Dickens</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/70</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0192833596</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1861</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:description>&lt;p&gt;Great Expectations is a novel by Charles Dickens first serialised in All the Year Round from 1 December 1860 to August 1861. It is regarded as one of his greatest and most sophisticated novels, and is one of his most enduringly popular, having been adapted for stage and screen over 250 times.
&lt;br /&gt;Great Expectations is written in a semi-autobiographical style, and is the story of the orphan Pip, writing his life from his early days of childhood until adulthood. The story can also be considered semi-autobiographical of Dickens, like much of his work, drawing on his experiences of life and people.
&lt;br /&gt;The action of the story takes place from Christmas Eve, 1812, when the protagonist is about seven years old, to the winter of 1840.&lt;/p&gt;</dc:description>
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  <book id="94">
    <dc:title>The Prince</dc:title>
    <dc:author id="36">Niccol&#242; Machiavelli</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/94</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0553212788</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1513</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:subject>War</dc:subject>
    <dc:subject>Politics</dc:subject>
    <dc:description>&lt;p&gt;Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccol&#242; Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing &quot;Machiavellian&quot; into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.&lt;/p&gt;</dc:description>
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  <book id="676">
    <dc:title>Beyond Good and Evil</dc:title>
    <dc:author id="81">Friedrich Wilhelm Nietzsche</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/676</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1604593210</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1886</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>Philosophy</dc:subject>
    <dc:description>&lt;p&gt;Beyond Good and Evil (German: Jenseits von Gut und B&#246;se), subtitled &quot;Prelude to a Philosophy of the Future&quot; (Vorspiel einer Philosophie der Zukunft), is a book by the German philosopher Friedrich Nietzsche, first published in 1886.
&lt;br /&gt;It takes up and expands on the ideas of his previous work, Thus Spoke Zarathustra, but approached from a more critical, polemical direction.
&lt;br /&gt;In Beyond Good and Evil, Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm &quot;beyond good and evil&quot; in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.&lt;/p&gt;</dc:description>
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