<?xml version="1.0" encoding="UTF-8"?>
<favorites xmlns:dc="http://purl.org/dc/elements/1.1/">
  <userbook id="2548">
    <dc:title>Beautiful Red</dc:title>
    <dc:author id="20570">M. Darusha Wehm</dc:author>
    <dc:identifier>http://www.feedbooks.com/userbook/2548</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2007</dc:date>
    <dc:description>The future is boring. Technology has solved most of the world&#8217;s most pressing problems, leaving people with tedious work and mundane play. 

Jack is a Security Officer Class 5, which sounds important, but isn&#8217;t. However, her banal life as a cubicle worker by day and tinkerer by night is interrupted when she discovers that her employer&#8217;s computer system has been invaded. 

Jack enlists the help of her only friends &#8211; her co-worker, Gilles and Adrian, an online friend she&#8217;s never met &#8211; to help her track down the source of the invasion. Her investigation leads her to a shadowy group called the Red, where Jack learns that not everyone lives a life of quiet servitude. 

Even though she believes that the Red are responsible for a series of gruesome attacks, Jack begins to become attracted to their worldview. In her search for the people responsible for the attacks, she confronts the leaders of the group as well as her own burgeoning sense of self-awareness.</dc:description>
    <dc:subject>science fiction</dc:subject>
    <dc:subject>thriller</dc:subject>
    <dc:subject>computers</dc:subject>
    <dc:subject>ai</dc:subject>
    <dc:subject>mystery</dc:subject>
    <dc:subject>cyberpunk</dc:subject>
    <dc:subject>future</dc:subject>
    <dc:subject>women</dc:subject>
    <cover>http://www.feedbooks.com/userbook/2548.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/userbook/2548.pdf</pdf>
      <epub>http://www.feedbooks.com/userbook/2548.epub</epub>
      <mobipocket>http://www.feedbooks.com/userbook/2548.mobi</mobipocket>
    </files>
  </userbook>
  <userbook id="3501">
    <dc:title>Tokyo Zero</dc:title>
    <dc:author id="30289">Marc Horne</dc:author>
    <dc:identifier>http://www.feedbooks.com/userbook/3501</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>2004</dc:date>
    <dc:description>Michael Blake is in Tokyo to help out with the end of the world. Living in the Tokyo of the gangs, the losers and the outsiders, Blake and a cell of Japanese psychopaths plot to unleash a new kind of bio-chemical horror on an unsupecting populace of daydreaming salary-people.</dc:description>
    <dc:subject>science fiction</dc:subject>
    <dc:subject>fiction</dc:subject>
    <dc:subject>Creative Commons</dc:subject>
    <dc:subject>Post-1930</dc:subject>
    <cover>http://www.feedbooks.com/userbook/3501.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/userbook/3501.pdf</pdf>
      <epub>http://www.feedbooks.com/userbook/3501.epub</epub>
      <mobipocket>http://www.feedbooks.com/userbook/3501.mobi</mobipocket>
    </files>
  </userbook>
  <list id="26">
    <dc:title>Cyberpunk</dc:title>
    <dc:identifier>http://www.feedbooks.com/list/26</dc:identifier>
    <dc:description>&lt;p&gt;Cyberpunk is a science fiction genre noted for its focus on &quot;high tech and low life&quot;. It is also a musical subgenre of metal. The name is derived from cybernetics and punk and was originally coined by Bruce Bethke as the title of his short story &quot;Cyberpunk&quot; published in 1983, though the style was popularized well before its publication by editor Gardner Dozois. It features advanced science such as information technology and cybernetics, coupled with a degree of breakdown or a radical change in the social order. According to Lawrence Person:&lt;/p&gt;

&lt;p&gt;&quot;Classic cyberpunk characters were marginalized, alienated loners who lived on the edge of society in generally dystopic futures where daily life was impacted by rapid technological change, an ubiquitous datasphere of computerized information, and invasive modification of the human body.&quot;&lt;/p&gt;

&lt;p&gt;Cyberpunk music often features heavy bass, bass drums, and synthesized sound effects. It is considered a subgenre of metal or EBM (electronic body music). Lyrics tend to lean toward the obscene, but usually include a message of some meaning that fits in with the classic punk. These meanings are often modernized and anti-establisment messages are not quite as common as in regular punk music.&lt;/p&gt;

&lt;p&gt;Cyberpunk plots often center on a conflict among hackers, artificial intelligences, and mega corporations. They tend to be set in a near-future Earth, rather than the far future settings or galactic vistas found in novels like Isaac Asimov's Foundation or Frank Herbert's Dune. The settings are usually post-industrial dystopias, but tend to be marked by extraordinary cultural ferment and the use of technology in ways never anticipated by its creators (&quot;the street finds its own uses for things&quot;). Much of the genre's atmosphere echoes film noir, and written works in the genre often use techniques from detective fiction.&lt;/p&gt;

&lt;p&gt;Primary exponents of the cyberpunk field include William Gibson, Bruce Sterling, Pat Cadigan, Rudy Rucker and John Shirley.&lt;/p&gt;

&lt;p&gt;Postmodernist investigation of cyberpunk became a fashionable topic in academic circles, and the genre reached Hollywood to become one of cinema's staple science-fiction styles. Many influential films such as Blade Runner, Hackers (film), the Matrix trilogy or the more recent adaptation of Philip K. Dick's A Scanner Darkly can be seen as prominent examples of the cyberpunk style and theme. Computer games, board games and role-playing games (such as Shadowrun or Cyberpunk 2020) often feature storylines that are heavily influenced by cyberpunk writing and movies. Beginning in the early 1990s, some trends in fashion and music were also labeled as cyberpunk. Cyberpunk is also featured prominently in anime, Ghost in the Shell being the most notable.&lt;/p&gt;

&lt;p&gt;As a wider variety of writers began to work with cyberpunk concepts, new-subgenres of science fiction emerged, playing off the cyberpunk label, and focusing on technology and its social effects in different ways. Examples include steampunk (cyberpunk themes in the early industrial age), pioneered by Tim Powers, K. W. Jeter, and James Blaylock, and biopunk (cyberpunk themes dominated by biotechnology, including Paul Di Filippo&#8217;s half-serious ribofunk). In addition, some people consider works such as Neal Stephenson&#8217;s The Diamond Age to be postcyberpunk. Some of the more popular cyberpunk bands include Angelspit, ASP, Chiasm, Combichrist, Das Ich, Seraphim Shock, Suicide Commando, and Zombie Girl.&lt;/p&gt;

&lt;p&gt;Source: Wikipedia&lt;/p&gt;</dc:description>
    <favorites>15</favorites>
    <items>13</items>
  </list>
  <book id="1123">
    <dc:title>Metropolis</dc:title>
    <dc:author id="202">Thea von Harbou</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/1123</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1592249787</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1927</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:description>&lt;p&gt;This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+50.</dc:rights>
    <cover>http://www.feedbooks.com/book/1123.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/1123.pdf</pdf>
      <epub>http://www.feedbooks.com/book/1123.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/1123.mobi</mobipocket>
    </files>
  </book>
  <book id="9">
    <dc:title>The Trial</dc:title>
    <dc:author id="6">Franz Kafka</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/9</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0805210407</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1925</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:subject>Fantasy</dc:subject>
    <dc:description>&lt;p&gt;The Trial (German: Der Process) is a novel by Franz Kafka about a character named Josef K., who awakens one morning and, for reasons never revealed, is arrested and prosecuted for an unspecified crime.
&lt;br /&gt;According to Kafka's friend Max Brod, the author never finished the novel and wrote in his will that it was to be destroyed. After his death, Brod went against Kafka's wishes and edited The Trial into what he felt was a coherent novel and had it published in 1925.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70.</dc:rights>
    <cover>http://www.feedbooks.com/book/9.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/9.pdf</pdf>
      <epub>http://www.feedbooks.com/book/9.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/9.mobi</mobipocket>
    </files>
  </book>
  <book id="2837">
    <dc:title>Anthem</dc:title>
    <dc:author id="572">Ayn Rand</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/2837</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0452281253</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1938</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:subject>Psychology</dc:subject>
    <dc:description>&lt;p&gt;Anthem is a dystopian fiction novella by Ayn Rand, first published in 1938. It takes place at some unspecified future date when mankind has entered another dark age as a result of the evils of irrationality and collectivism and the weaknesses of socialistic thinking and economics. Technological advancement is now carefully planned (when it is allowed to occur at all) and the concept of individuality has been eliminated (for example, the word &quot;I&quot; has disappeared from the language). As is common in her work, Rand draws a clear distinction between the &quot;socialist/communal&quot; values of equality and brotherhood and the &quot;productive/capitalist&quot; values of achievement and individuality.
&lt;br /&gt;Many of the novella's core themes, such as the struggle between individualism and collectivism, are echoed in Rand's later books, such as The Fountainhead and Atlas Shrugged. However, the style of &quot;Anthem&quot; is unique among Rand's work, more narrative-centered and economical, lacking the intense didactic expressions of philosophical abstraction that occur in later works. It is probably her most accessible work.&lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
    <cover>http://www.feedbooks.com/book/2837.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/2837.pdf</pdf>
      <epub>http://www.feedbooks.com/book/2837.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/2837.mobi</mobipocket>
    </files>
  </book>
  <list id="3">
    <dc:title>Utopia/Dystopia</dc:title>
    <dc:identifier>http://www.feedbooks.com/list/3</dc:identifier>
    <dc:description>&lt;p&gt;A list of utopia/dystopia books.&lt;/p&gt;

&lt;p&gt;Utopia is a fictional island near the coast of the atlantic ocean written about by Sir Thomas More as the fictional character Raphael Hythloday (translated from the Greek as &quot;knowing in trifles) recounts his experiences in his travels to the fictional island with a perfect social, legal, and political system. It may be used pejoratively, to refer to a society that is unrealistic and impossible to realize. It has also been used to describe actual communities founded in attempts to create an ideal society.&lt;/p&gt;

&lt;p&gt;A dystopia is a fictional society that is the antithesis of utopia. It is usually characterized by an oppressive social control, such as an authoritarian or totalitarian government.&lt;/p&gt;

&lt;p&gt;Some academic circles distinguish between anti-utopia and dystopia. As in George Orwell's 1984 and Aldous Huxley's Brave New World, a dystopia does not pretend to be good, while an anti-utopia appears to be utopian or was intended to be so, but a fatal flaw or other factor has destroyed or twisted the intended utopian world or concept.&lt;/p&gt;

&lt;p&gt;Source: Wikipedia&lt;/p&gt;</dc:description>
    <favorites>16</favorites>
    <items>36</items>
  </list>
  <book id="912">
    <dc:title>2 B R O 2 B</dc:title>
    <dc:author id="185">Kurt Vonnegut</dc:author>
    <dc:identifier scheme="URI">http://www.feedbooks.com/book/912</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1962</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:subject>Humor/Satire</dc:subject>
    <dc:description>&lt;p&gt;2 B R 0 2 B is a satiric short story that imagines life (and death) in a future world where aging has been &#8220;cured&#8221; and population control is mandated and administered by the government.&lt;/p&gt;</dc:description>
    <dc:rights>Please read the legal notice included in this e-book and/or check the copyright status in your country.</dc:rights>
    <cover>http://www.feedbooks.com/book/912.png</cover>
    <files>
      <pdf>http://www.feedbooks.com/book/912.pdf</pdf>
      <epub>http://www.feedbooks.com/book/912.epub</epub>
      <mobipocket>http://www.feedbooks.com/book/912.mobi</mobipocket>
    </files>
  </book>
</favorites>
